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You wake with a start, your dream cutting off like a break in the film. If you could just remember it, you’d be getting somewhere, but it’s gone, the screen in front of you blinding white, the film spinning on its reel, the trailing end going flip flip flip as it turns. With a sigh, you shut off the machine, take that trailing bit of film, feed it back through, start rolling the whole thing again, from the bottom. The images on the screen move backward and too fast.
I’d classify a lot of personal writing about extreme hardship as either “trauma porn”—stories meant to titillate readers with gory details—or Hero’s Journeys from survival to thriving. Both stories serve an important purpose—the first to shock comfortable people out of complacency, the second to provide the suffering with hope—but I started writing the collection this […]
They didn’t find anything but the teeth. I heard somewhere that’s what pigs do, eat everything but the teeth. Except there were no pigs here. Just bloody molars strewn across the forest floor like a shattered pearl necklace. The parents of Mill Creek had already buried seven almost-empty coffins that summer. It was about to be eight. Me and Taylor and Easton and the rest weren’t supposed to be playing outside when we found them. By that time, our parents had gone from strict before-dark curfews to full on house arrest.
Growing up in Nigeria, I heard a lot of superstitious stories—from the rumors that the highest floor of our primary school building was cursed, to the tales that the mythical Lady Koi Koi was stalking some parts of our secondary school during the Inter-House Sports week. This story is inspired by the complex feelings of both wanting to see the supernatural yet feeling cautious about the stories you were told.
Spitzbergen, 1881. The whaling station stinks, metallic and rank, even though it’s slap-you-in-the-face cold. David Grace—born and raised in the Welsh valleys—had thought he’d known cold. A thin layer of ice on milk left out overnight, his sisters tracing patterns in the frost on the bedroom windows. But the last few weeks in the Arctic seas have taken him somewhere entirely different. Up here, the cold gets into a man’s bones. He looks at the huts huddled around the small bay.
I’m deeply inspired by the dark surrealist photography of Christopher McKenney. His work is ethereal, haunting, and filled with dread and the onset of violence. When I was writing “The Returned,” I asked myself what the creatures and specters in his photographs were saying, and as I expected, each one had a terrifying tale to […]
There are a ton of passages from books and stories written by men that make me wonder if they had ever seen a woman in real life. Boobs that expand to show arousal and Barbie crotches if they’re virgins, wild stuff like that. I just took what they started to its monstrous extremes.
When I was a kid, I had horrible allergies (still do, actually) but I also caught a couple of skin infections that I won’t detail. This happened right around the time we moved to a new city where suddenly my “Asianness” also became front and center. With all this hitting a kid roughly at the same time, it wasn’t hard to feel absolutely helpless and alien.
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