We have original short fiction from Kristina Ten (“The Dizzy Room”) and Wen-yi Lee (“Laura Lau Will Drain You Dry”). Our Horror Lab originals include a flash piece (“Terms of Service”) from Dominica Phetteplace and a poem (“Alternate Rooms”) from Nwuguru Chidiebere Sullivan. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a media review from Adam-Troy Castro.

We have original short fiction from Dominique Dickey (“Who the Final Girl Becomes”) and Erik Grove (“Home”). Our Horror Lab originals include a poem (“When At Last He Was Empty”) from Rob E. Boley and a flash story (“A Girl Defines Herself”) from Ruth Joffre. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a feature interview with Eric J. Guignard.

We have original short fiction from James L. Sutter (“To Cheer as They Leave You Behind”) and Katherine Quevedo (“Until It Has Your Reflection”). Our Horror Lab originals include a flash story (“Last Night at the Sideshow”) from Gordon B. White and a poem (“Fruit”) from Alyza Taguilaso. James Chambers brings us the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and Terence Taylor launches a new book review column about classic horror novels.

We have original short fiction (“Break the Skin if You Have To”) from Emma Osborne, Cadwell Turnbull, and Jess Essey—a terrific trio of authors—as well as “Wallers” from Mari Ness. Our Horror Lab originals include a poem (“Three Symptoms of a Disaster”) from Angela Liu and a creative nonfiction piece (“Still Breathing”) from Chris DiLeo. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and review from Adam-Troy Castro. Our ebook readers will also enjoy an excerpt from Erika T. Wurth’s novel, White Horse.

Don’t miss this conversation between the team of editors and writers behind three amazing linked projects exploring the representation of women of Asian heritage in horror writing and their shared Asian heritage. The books discussed include: Black Cranes: Tales of Unquiet Women, an anthology of Southeast Asian horror short fiction; Tortured Willows: Bent. Bowed. Unbroken, an anthology of Asian horror poetry; and Unquiet Spirits: Essays by Asian Women in Horror, a collection of personal essays forthcoming Feb. 2023.

It’s our tenth anniversary issue! We’re celebrating with original short fiction from A.C. Wise (“Sharp Things, Killing Things”) and Spencer Ellsworth (“The Ghost Eaters”). Our Horror Lab originals include a flash story (“Tiny Little Wounds”) from Carlie St. George and a poem (“Ritual”) from Okwudili Nebeolisa. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a book review from Terence Taylor. Our ebook readers will also enjoy an excerpt from Kay Chronister’s new novel, Desert Creatures.

We have original short fiction from Clara Madrigano (“The Gold Coin”) and Kiera Lesley (“To Whom It May Concern”). Our Horror Lab originals include a flash story (“A Girl of Nails and Teeth”) from Hannah Yang and a poem (“much to be mourned”) from Corey Niles.  We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors. Reviewer Adam-Troy Castro also has a movie and an anthology recommendation.

We have original short fiction from Endria Isa Richardson (“Every Atom Belonging to Me as Good Belongs to You”) and Adam-Troy Castro (“The Arm Ouroboros”). Our Horror Lab originals include a flash story (“Skitterdead”) from Mel Kassel and a poem (“Around the Corners”) from Jarod K. Anderson. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a feature interview with author Cina Pelayo.

We have original short fiction from Robert Levy (“The Closet Game”) and Laura Blackwell (“What the Dead Birds Taught Me”). Our Horror Lab originals include a piece of creative nonfiction (“Bunnies”) from Dante Luiz and a poem (“Bitch Moon”) from Sarah Grey. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a book review from Terence Taylor.

We have original short fiction from Alex Saint-Widow (“The Last of the Juggalos”) and Lavie Tidhar (“Dr. Wasp and Hornet Holmes”). Our Horror Lab originals include a flash story (“There Are No Monsters on Rancho Buenavista”) from Isabel Cañas and a poem (“warming”) from Maria Zoccola. We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a book review from Adam-Troy Castro.