We have original fiction from Adam-Troy Castro (“Dollhouse”) and Gwendolyn Kiste (“The Eight People Who Murdered Me (Excerpt from Lucy Westenra’s Diary)”), along with reprints by Seanan McGuire (“With Graveyard Weeds and Wolfbane Seeds”) and Suyi Davies Okungbowa (“The Secret Life of the Unclaimed”). We also have Micah Dean Hicks writing the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a feature interview with Lois H. Gresh.

We have original fiction from Carlie St. George (“Some Kind of Blood-Soaked Future”) and Rich Larson (“Growing and Growing”), along with reprints by Nathan Ballingrud (“The Maw”) and Gemma Files (“Grave Goods”). Benjamin Percy brings us the latest installment of our column on horror, “The H Word.” Plus we have author spotlights with our authors and a book review from Adam-Troy Castro.

We have original fiction from Ray Nayler (“Beyond the High Altar”) and Merc Fenn Wolfmoor (“Sweet Dreams are Made From Youalong with reprints by Nina Allan (“The Tiger”) and Letitia Trent (“Wilderness”). Lisa Morton talks about extreme haunts in the latest installment of our column on horror, “The H Word.” Plus we have author spotlights with our authors, and a book review from Terence Taylor.

We have original fiction from Kurt Fawver (“The Bleeding Maze”) and Senaa Ahmad (“The Skin of a Teenage Boy is Not Alive”), along with reprints by Amanda Downum (“Spore”) and Richard Gavin (“The Word-Made Flesh”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and an interview with author Nathan Ballingrud.

We have original fiction from Simon Strantzas (“Antripuu”) and Isabel Cañas (“No Other Life”), along with reprints by Seanan McGuire (“Threnody for Little Girl, with Tuna, at the End of the World”) and Cody Goodfellow (“At the Riding School”). In the latest installment of our column on horror, “The H Word,” Kaaron Warren looks into ghost photography. We also have author spotlights with our authors, and a book review from Adam-Troy Castro.

We have original fiction from Megan Arkenberg (“The Night Princes”) and Alanna J. Faelan (“The Taurids Branch”), along with reprints by Laird Barron (“In a Cavern, In a Canyon”) and Gary McMahon (“Strange Scenes from an Unfinished Film”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a book review from Terence Taylor.

This month, we have new fiction from Mimi Mondal (“Malotibala Printing Press)” and Nibedita Sen (“Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island”). We also have reprints by Micah Dean Hick (“The Deer Boy”) and Philip Fracassi (“Fail-Safe”). Writer, podcaster, and all-around geek Aaron Duran brings us the latest installment of our column on horror, “The H Word.” Of course we have author spotlights with our authors, and we also have a feature interview with Gabino Iglesias. Plus, our e-book readers will get a special e-book exclusive excerpt from Mary SanGiovanni’s new novel, Into the Asylum.

We have original fiction from Mari Ness (“The Girl and the House”) and Dennis E. Staples (“The One You Feed”), along with reprints by Priya Sharma (“The Ballad of Boomtown”) and Stephen Gallagher (“Shepherd’s Business”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, and a media review from Adam-Troy Castro.

We have a new short story called “All the Hidden Places,” from Cadwell Turnbull, which is about a particularly monstrous apocalypse. Adam-Troy Castro takes us into the near future in his new short “Example,” which looks at a dark new approach to the corrections system. We also have terrific reprints by Kaaron Warren (“Bridge of Sighs”) and Seanan McGuire (“Carry On”). In our column on horror, “The H Word,” writer Nibedita Sen writes about the body horror of pregnancy. Plus, we have author spotlights with our authors, and a book review from Terence Taylor.

This month, we have original fiction from Micah Dean Hicks (“Quiet the Dead”) and Rafeeat Aliyu (“58 Rules To Ensure Your Husband Loves You Forever”), along with reprints by Kelley Armstrong (“We Are All Monsters Here”) and Nick Mamatas (“The Glottal Stop”). In the latest installment of our column on horror, “The H Word,” Richard Thomas discusses new, exciting trends in horror films. Plus we have author spotlights with our authors, and a panel interview with some amazing women in the horror industry.