Nightmare Magazine

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Nonfiction

The H Word: Formative Frights

I like to ask people about their childhood fears because I was a fearful child. At five, I avoided the TV room for a week after glimpsing something with a face like gobs of wet clay groping its way up a staircase. Only years and nightmares later did I learn this was Martin Landau’s entirely sympathetic mutant in the Outer Limits episode “The Man Who Was Never Born.” When I was nine, I was freaked out by faces more awful than Landau’s lumpy one.

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Interview: Molly Tanzer

Molly Tanzer is the author of The Diabolist’s Library trilogy: Creatures of Will and Temper, the Locus Award-nominated Creatures of Want and Ruin, and the forthcoming Creatures of Charm and Hunger. She is also the author of the weird western Vermilion, an io9 and NPR “Best Book” of 2015, and the British Fantasy Award-nominated collection, A Pretty Mouth. She lives outside Boulder, CO, with her cat, the Toad.

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The H Word: The Horror of Solitude

Is it worse to be lonely in a crowded room or lonely in an empty one? Perhaps you have an immediate response to this, one you’ve pondered before now. It’s certainly not a new question, but the truth is that most of us have never had much of a chance to really know for sure. Even those who pride themselves on being introverted are often forced to spend a tremendous amount of time with other people. The average life, in fact, tends to be arranged around interaction.

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Media Review: April 2020

Readers, Adam-Troy Castro has questions about alpacas. Don’t miss his review of Richard Stanley’s Color Out of Space.

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The H Word: Mental Health, Ableism, and the Horror Genre

Our genre isn’t known for its warm and compassionate embrace of disability. From physical disfigurement to mental illness, those with disabilities are an all-too-convenient Other to demonize. The current battle for greater inclusion in the genres continues to shed light on those stories and voices that have been excluded. As we look beyond race, gender, and sexuality for inclusion and representation, ability is vital for us to reexamine.

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Book Reviews: March 2020

This month, Terence Taylor reviews two books that wrestle with the past: The Sun Down Motel, by Simone St. James, and Remembered, by Yvonne Battle-Felton.

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The H Word: The Melancholy Beauty of Terror

For the longest time, I’d searched for a proper definition of horror. That whole, “defined by emotional response” never sat well for me, and felt lacking as a descriptor. Mostly because people think that emotion should be fear or fright, but at the same time the word horror doesn’t automatically mean fear, does it? Something can be horrible, and yet not scary. Add to the fact that some of the best horror digs in under the skin and does something else, something far more disturbing than simple fear.

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Interview: Nicole Cushing

Nicole Cushing is the Bram Stoker Award® winning author of Mr. Suicide and a two-time nominee for the Shirley Jackson Award. Rue Morgue recently included her in its list of thirteen Wicked Women to Watch, praising her as “an intense and uncompromising literary voice.” She has also garnered praise from the late Jack Ketchum, Thomas Ligotti, and Poppy Z. Brite. Her second novel, A Sick Gray Laugh, was recently released by Word Horde.

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The H Word: Scary Stories to Relive in the Dark

I’ve been jobless for two and a half months now, which has caused a spike in mostly-forgotten anxieties. I hate being broke, hate watching my savings dwindle, and hate knowing I’m one bad fall or car accident away from poverty. So like most anxious, broke people, I comfort myself by bingeing crap television. Luckily, Netflix’s algorithms got something right for once, and presented me with HauntedHaunted is a 2018 Netflix original series, featuring non-actors telling true (or truth-y) stories about being haunted.

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Media Review: January 2020

This month, reviewer Adam-Troy Castro takes a look at the new novella “In the Tall Grass”—written by father and son horror giants Stephen King and Joe Hill. But first, he watched the Netflix film adaptation. So how do the two compare to each other?

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