Artist Showcase
Artist Showcase: Lena Yuk
Soh Yeon Yuk, born in 1988, in Seoul, South Korea, is a Southern California-based artist freelancing in concept art and character design.
Soh Yeon Yuk, born in 1988, in Seoul, South Korea, is a Southern California-based artist freelancing in concept art and character design.
I got caught in a Wikipedia spiral one night that began at “sixteenth-century Spanish Royalty” and ended at “Tzitzimitl.” Tzitzimitl are female Gods from Aztec mythology who are associated with change, said to eat the sun, and attack human beings during the eclipse. Despite their frightening qualities, however, Tzitzimitl are only considered demonic in postcolonial western interpretations.
The horror audience runs a wide spectrum, but at either end are two extremes. These polarities are divided not so much by conflicting interests as by degree of morbidity. At one end we have people who enjoy horror where the supernatural mayhem is kept in check. Their outré quotient is relatively slim. The internal logic of a horror story must hew closely with everyday life. They take their horror as a teetotaller does honey; a mere tincture to tease the palate.
I wanted to do something that I thought was very Twilight Zone-ish, which would bring a number of people together in a confined space, facing a danger from outside. Then I think the idea of the veteran who was afraid to sleep and who knew his dreams would come to life just “happened.” You know, I always say writing is kind of a mystic experience because sometimes you don’t know where you’re going when you start out, but the story always leads you somewhere.
This month, we have original fiction from Matthew Cheney (“How Far to Englishman’s Bay”) and Jennifer Giesbrecht (“All My Princes Are Gone”), along with reprints by living legends Robert McCammon (“Nightcrawlers”) and Clive Barker (“Lost Souls”). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with all of our authors, a showcase on our cover artist, and part two of our two-part feature interview with bestselling author Joe Hill.
Age is certainly something that produces fear and disgust. It’s fear of mortality, but perhaps even more than that a fear of breaking down. I have a lot of friends who are considerably older than me, and I see it in them and even in myself—our bodies betray us, no matter how well we treat them. Our lives become something other than what we planned, for better or worse. We disappoint ourselves and others.
Joe Hill is the author of the horror novels Heart-Shaped Box and Horns, the short story collection 20th Century Ghosts, and the graphic novel series Locke & Key from IDW. His latest novel NOS4A2 is out now. [Read Part 2 August 28!]
Hints and suggestions—I always found those a powerful way of conveying horror, especially once I encountered the tales of M. R. James in quantity—Machen and Lovecraft too. I think Stone is reliable enough, except perhaps in not understanding what’s happening to him, but few of us might in those circumstances.
Adam S Doyle is a classically educated fine artist and illustrator with a BFA from the Rhode Island School of Design and an MFA from New York’s School of Visual Arts. Boston-born, Doyle’s horizons are vast, both physical and intellectual. He has studied and created in Los Angeles, Rome, Auckland, and now Hong Kong, on a mission to “explore stories, thoughts, and feelings that connect us” through his oil paintings. Learn more at www.adamsdoyle.com.
This [story] is still my favorite, and is probably going to be hard to displace. It does everything I really want my fiction to do—the prose is pretty, the characters are unquestionably “bad guys,” and I get away with presenting something brutal and depressing as if it’s a happy ending. I hope that in the future when they’re writing papers about obscure 21st century spec fic writers, this is the kind of story I’m known for.