Nonfiction
Book Review: September 2017
This month, Adam-Troy Castro reviews Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction, a new work of nonfiction by Grady Hendrix.
Advertisement
Nonfiction
Author Spotlight
Author Spotlight: Ashok K. Banker
India is like an alternate reality where religiosity and liberalism live side by side, often uneasily. You walk down a row of shining skyscrapers that wouldn’t be out of place in New York or London, turn a corner, and suddenly come upon an overhanging tree with a shrine embedded into its trunk, or a cross marking the spot where a martyr fell centuries ago, or a saffron coloured Lingam (a phallic stone object representing Shiva), and it wouldn’t be unusual to see a person in a $2,000 suit get out of a chauffeur-driven Bentley and offer prayers on that spot, even at the cost of obstructing traffic.
Nonfiction
The H Word: Ghosts in a Void
Why ghosts? My primary interest as a writer is to ask and keep asking what it means to be human in a world indifferent to humanity. To my mind, a ghost, proceeding as it does immediately and directly from the individual after death, expresses many of our most intimate concerns—fear of mortality, loss of identity, loss of agency—while retaining at least a vague semblance of what was once physically, entirely human. A ghost is not a bizarre transformation initiated by an outside force. It may be seen, instead, as a last attempt at holding onto life and selfhood.
Editorial
Editorial: September 2017
Be sure to read the Editorial for a run-down of this month’s nightmarish content, as well as all our news and updates.
Author Spotlight
Author Spotlight: Silvia Moreno-Garcia
This was a relic, supposedly, yes, a bit of foreskin from Jesus Christ. I read somewhere that an angel put this in Saint Bridget’s mouth and she had a vision. Saint Catherine outdid her: she wore Christ’s foreskin as a ring. Mystical marriage, indeed. And it’s just odd how Indigenous beliefs bleed in and out of Mexican Catholicism. You look at something like the cult of Maximón, which is a sort of blend of Pre-hispanic ideas about gods and Catholic saints, and you end up concluding the world is strange and you know nothing about it.
Nonfiction
Book Reviews: August 2017
This month, Terence Taylor reads both Charlie Stross’ new novel,The Delirium Brief , and the new anthology Sycorax’s Daughters.
Author Spotlight
Author Spotlight: Nick Mamatas
Everyone is an “Other” to someone else, and the Other both attracts and repels. Of course, we’re also all Others to ourselves—we’re not unitary individuals who have complete self-knowledge or even self-regard. So we’re all always looking for and running from something. As far as what horror is, for all that I write it, it doesn’t mean all that much to me. I don’t spend a lot of time thinking about it, honestly. There’s a little bit of horror, potentially, in any kind of story. It’s a spice, like salt or cumin.
Nonfiction
The H Word: I Need My Pain
Most often, we choose to invest ourselves in narratives because we feel a kinship with their protagonists, because we can recognize some element of our own experience in theirs . . . but the odd thing about people (or one odd thing, at any rate; one amongst many) is how few of us have any literal sympathy for each other’s joys, or victories, or pleasures. Happiness is discounted, even devalued; what’s that line about how all happy families are alike, while all unhappy families are unhappy in different—and far more interesting—ways?
Editorial
Editorial: August 2017
Be sure to read the Editorial for a run-down of this month’s chilling content. Plus, you don’t want to miss all our news and updates.
Author Spotlight
Author Spotlight: James Rabb
While I was focused on atmosphere and tone, I didn’t actively pursue a fairy tale vibe. I think that was the direct result of taking more of a spoken-word approach to the storytelling and the impact it has on the flow of the text. I wasn’t concerned with how long a sentence was or where it should end or how many times a conjunction had been used, because people don’t do that when they tell stories out loud. I also avoided a lot of specific information such as the boy’s name and the time period.
