Nonfiction
Book and Media Review: December 2023
Adam-Troy Castro dives into Stephen King’s new novel Holly, then goes on to recommend a dark Chilean film (El Conde) and the latest adaptation of A Haunting in Venice.
Adam-Troy Castro dives into Stephen King’s new novel Holly, then goes on to recommend a dark Chilean film (El Conde) and the latest adaptation of A Haunting in Venice.
Being a teenager is horrifying! There is the horror of your body suddenly being outside of your control, for one, and it’s so messy and gross and bloody and smelly and hairy and you have all of these feelings, all without your consent.
You draw one icy breath before the blizzard snatches it away. You moan in the same key as the storm, a polyphonic nightmare sound: ice cracking across a wide lake, a melody of numbness, backed by whispers of death and the rhythmic thud of something nearby.
The horror genre is often defined by its use of terror, suspense, gruesomeness, and mounting dread. These are important tools in a horror writer’s toolbox, and none is more important or useful than any of the others. I didn’t set out to celebrate dread in this issue . . .
Years ago I read that Bill Gates has a turn-of-the-century fully AI-enabled house. Everything in it is specialized for its inhabitants. I wondered: What if it was left empty? Alone. Without purpose.
Find out why critically acclaimed editor and author Shane Hawk loves Stephen Graham Jones’s The Babysitter Lives, a novella originally released only in audio.
I’ve been meaning to write a boto story for so long—like years—but I could never really find the right entry point for it. There’s a really great Atlantic article by Sushma Subramanian called “The Dolphin Myth that Refuses to Die” that explores the origins and perpetuation of the boto myth in the Amazon. That article really got me thinking about my adoption.
Herman Melville’s “Bartleby, the Scrivener,” ( bit.ly/3PIvslrgutenberg) first published in 1853, is not typically considered a work of horror. The tale of a law clerk who absents himself from his duties at work, then from the outside world, then from life itself, it presents itself as a work of realism with no gore, no horror, terror, nothing of the supernatural or the monstrous about it.
November inspires me to bring out the fuzzy blankets and all my favorite comfort reads, like the fantasy novels that inspired me to get into writing in the first place (Pamela Dean and Charles L. Grant, I am looking at you). Which is why I’m extremely glad that way, way back in the spring, I decided to make November our first-ever all dark fantasy issue.
I was moved to write not a dark fairy tale itself, but a dark story about fairy tales. My starting point was, “what if someone became obsessed with fairy stories, what then?” This made me think about the infamous Cottingley fairies, and the attempts to discover “real” fairies. I imagined an old French woman painstakingly hunting for real magic in her life.