Fiction
A Dweller in Amenty
The Pernille’s housekeeper shows me into the music room, where they’ve shoved the piano to the wall to make room for the coffin and the table and my seat. You can always tell serious clients. They lower the lights.
The Pernille’s housekeeper shows me into the music room, where they’ve shoved the piano to the wall to make room for the coffin and the table and my seat. You can always tell serious clients. They lower the lights.
It all started when Ms. Salinas told us about her third eye. It was home ec., and we were sitting in front of the sewing machines with table runners that we were going to make our moms or yayas do for us anyway. I was pretty anxious about that project.
If I tell you to think about a ghost story, you will probably imagine that it takes place in the dark. Perhaps your mind will conjure up the darkness of a campfire, the scent of wood smoke and burned sugar from making s’mores, the crackle of the wind in the trees.
Clutch has killed somebody recently. This goes without saying. For as long as Clutch can remember, he has always killed somebody “recently.” If not within the last few hours, then certainly within the last few days. He may have gone as long as a couple of weeks without, from time to time, when circumstances conspired against him. But never as long as a month, no, not for living memory.
I’d used duct tape to attach one end of a garden hose to the exhaust pipe, and the other end of the hose ran in through the crack at the top of the passenger-side window, pumping sweet poison into the interior. I took a last swig from the bottle between my knees, the liquor burning its familiar path down my throat. I closed my eyes and waited for a sleep that would be forever untroubled by bad dreams—for the final closing of the unbalanced account of my life—when something tapped against the glass beside my left ear.
Gibbons swigged from his hipflask, driving one-handed as he followed the caravan of carny vehicles barreling along the interstate toward tonight’s show. As the booze burned through him, he bared his teeth, glaring in the rearview at the tarp-shrouded shape of the car hooked to his truck.
We didn’t even notice the calamity and probably slept through it. If a luxury liner takes on a little water, that’s not news; if the ship keels over or sinks, that’s news. If a racecar driver whined to national media about a slight rear-end shimmy at 180mph, he’d be laughed out of the pit, whereas if he crashed and made a fireball, it would be noteworthy on the old daily feed. Most Southern California quakes are akin to one misstep while strolling.
Caroline was not in the room. Amy could hear her crying somewhere down the hall. Her crying sounded louder, as though some other, all-pervading sound had suddenly ceased. “The engines have stopped,” Amy thought. “We are dead in the water. Something has happened,” she thought. “Something terrible.”
1. Because it would take the patience of a saint or Dalai Lama to smilingly turn the other cheek to those six savage boys day after day, to emerge unembittered from each new round of psychological and physical assaults; whereas I, Jared Shumsky, aged sixteen, have many things, like pimples and the bottom bunk bed in a trailer, and clothes that smell like cherry car air fresheners, but no particular strength or patience.
It had taken three days before the supervisor—“call me Marty”—asked Finn for the favour. He knew by the looks on the faces of the other staff—the little upturning of their heads that meant they were listening, but weren’t going to show it—that it wasn’t going to be a good favour.