Advertisement
I wouldn’t survive a slasher film. When the killer comes to town and starts popping off fresh-faced coeds, I’d eat it before we hit Act II. I have a great affection for those initial victims who seem to linger hauntingly over the narrative.
As Annie slips into the club, she grins at Robert, all trepidation and excitement. She hardly disturbs the velvet curtains with her passing, so their weight surprises him. He pushes at the fabric to force his way in. The atmosphere is muggy and heavy.
I was inspired by my body, and bodies in general. What it means for a body to exist in spaces that find it unworthy, unholy. And how sometimes, we also have to carry our ancestry, our birthplace, in these very bodies. So we have bodies weighted with history and ancestry, but still found sacrilegious. How does one reconcile that?
I work in a tall brick room with peaked cathedral ceilings. At one end of the room there is a brick-lined chute, chimneylike, that opens up out of the ceiling seventy-five or a hundred feet above a yawning pit in the floor. Every so often, without much warning, a body will fall from the chute and tumble through the air.
I’ve been marathoning classic horror movies with my teenage daughter. Talking with her about how we both came to love the genre set off a rumination on the impact of a childhood of horror.
Pregnancy is an infestation. A hidden invasion. An invisible operative sneaks inside you, planting a package of foreign genetic material and forcing you to replicate it trillions of times. Soon, your hostage cell floats down your fallopian tube to the womb to feed on the blood-bed of your uterine lining like a vicious little tick.
I had two things in mind while writing this story: anti-trans legislature targeting trans, nonbinary, gender queer, and two-spirited people and all the moments I was bullied in the bathroom as a child for not looking girl enough. If this story can do anything beyond entertain, I hope it makes you speak up and act out against bigotry in all forms.
Even before my son was born, my village had made of me a black sheep. When I was young, I would slither between the grasp of the Elders and flitter into the jungle unabated. I would storm past the hills of fire ants to leap atop the trunks of fallen trees before catching ahold of a veritable vine like some kind of red-assed macaco.
Fairy tales approach revenge in such interesting ways—there is often a sense of catharsis and ordering the universe in these acts, especially since they tend to appear at the story’s conclusion. I wanted to write a horror poem with a sense of ambiguity about what happened so that the focus becomes the process of self-creation through revenge.
Dear Andy: The day I was arrested, someone bought the winning Powerball lottery ticket that was worth 1.2 billion dollars. I remember dreaming what I would have done if I had won. You might not believe me, but I’m being serious here.
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement