Advertisement
he poem was inspired by the unending struggle of the world and its continuous demand in our blood, where we must keep striving to stay afloat. In the last part of the poem, I demonstrated how at that point I was okay with much the world has to offer me, and was willing to not keep spending my blood.
It felt a little like fucking. Reminded Magdalene of the first time she’d ever let a boy get a hand up her skirt, long before Ben but he didn’t know that, she wore white on her wedding day. Couldn’t even remember his name, that boy, just that he’d died in The War.
“Student Living” is something of a love letter to the makeshift nature of living on a budget as a student. It’s bleary-eyed mornings and caffeine fueled nights with our faces slammed against readings and lecture notes. I wanted to write something that encompassed my love of that experience.
When the sun plunged beneath the horizon, the striations of red clouds looked like gashes raked across the sky; flayed wounds ready to rain blood on a thirsty desert. Anastasia Mendez offered her left forearm a glance. The lacerations crisscrossing her skin had mended.
“Tropical Fish” is a relic from my childhood and mostly true. I had an aquarium in my bedroom, and my dad and I spent a lot of time staring at those fish.
When he tells me to feed her, I do. And I do despite her cries, and despite the rattle of her chains echoing through the basement. The basement of the old house that once belonged to his father before I pointed a hunting rifle at his face and pulled the trigger.
ONE: I told them it was stupid to rent the same cabin in the woods where that other slaughter took place, twenty years ago. I said I knew of a perfectly good bed and breakfast where nobody had ever been slaughtered, not even once.
Kachi stroked the yellow python-eye hidden between the cheeks of his buttocks with a distracted finger. The familiar round smoothness of the hard orb calmed his mind as he stared dispassionately at the mangled corpse sprawled at his tiny, blood-coated feet.
I first wrote this poem back in 2020. I’ve been a lifelong fan of horror and was helping a friend start to get to know the genre. One of our conversations centered on just how many different ways a horror character can be haunted, and thus this poem was born.
I wouldn’t describe it as waking up. If you’ve been in a car accident, you know the violence. One moment, your life feels the size of your body, muscular years of loves and hurts wrapped around a thousand calcified tasks, a routine that bears you up even on the mornings when nothing makes sense. Then your days break open with the sound of rupturing metal. You splinter like a windshield. It’s an awakening, of sorts, but it’s not like waking up.
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement