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The soldiers start rounding up us factory girls just before sunrise. We smoke cigarettes and stand in a line against the remnants of a brick wall that used to be a bakery, facing the sheer black of the mountains above the town as muted light spills across the fog and folds of the ridgeline. One girl wearing four layers of coats asks if we’re still getting paid, and everyone has a good laugh.
As so many pieces of this length do—and I’m not the only writer who will report this—the idea and storyline for “The Dark Devices” came to me in a very visceral, very disturbing (wait for it) flash. The writing itself? A little research on Pieter’s period and country before that could happen.
I first saw them one evening in May. I couldn’t tell what they were: small, like kids, like me, but they rustled, raffia fronds for skin. My eyes fizzing with dreams, I found Mama cradled on the sofa, hugging herself. She wore that faded floral top she loved so much.
Math has never been my strong suit. Still, I’ve always rather enjoyed logic puzzles (particularly ones like Einstein’s Riddle), and after falling in love with Return of the Obra Dinn last year, I got really into the idea of using puzzles like these to build a narrative—especially a mystery.
There is something uniquely squalid and sad about estate sales. To traipse through a cluttered house, one of a teeming crowd here to bear witness to the end of a life and all that it held, not to pay respect but instead to lunge for whatever goodies you can find.
The opening line is my riff on Bach’s chorale prelude “Come, Sweet Death,” one of his most profound. The foxfur wings I feel come from Well’s “In the Avu Observatory,” a surrealistic short story where an astronomer in the islands of Indonesia is attacked by a large flying bat-creature.
CW: violence, blood, death. It didn’t come as a surprise when AJ told me she wanted to open our relationship. We’d been an item for four years, but by the middle of the third year the two of us had long since checked out. You could feel it in the air: a static, something pushing […]
In early 2022, there was a comedian on TikTok, or at least I thought they were a comedian, who said, and I’m paraphrasing here: My biggest fear living in the city today is not crime or something scary happening—it’s actually some person with a camera and a mic running up to me, asking me to do something for a dollar.
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