Nightmare Magazine

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Nonfiction

Nonfiction

Interview: Richard Chizmar

In 1988, a college student named Richard Chizmar decided to start a horror magazine. Now, more than a quarter-of-a-century later, that magazine — Cemetery Dance — has become one of the horror genre’s longest-running print magazines, and Chizmar has become a respected publisher, editor, author, and screenwriter. Cemetery Dance Publications recently published its 300th book, and Chizmar’s Hollywood work (with co-writer Johnathon Schaech) includes an adaptation of Bentley Little’s “The Washingtonians” for Showtime’s Masters of Horror series.

Author Spotlight

Author Spotlight: Nancy Kilpatrick

In some genres, particularly horror, females are not popular protagonists unless they are either helpless victims or ball-breaking, kick-ass kung fu masters. Most of the women I know are like me, they get the job — whatever it is that has to be done — done, and they live their lives as women, for whom menstruation, menopause and sometimes childbirth are natural physical and psychological and emotive occurrences, and part of being female. Women take these experiences for granted.

Artist Showcase

Artist Showcase: Dariusz Zawadzki

Dariusz Zawadzki was born in Poland in 1958. Since childhood, he has built surreal worlds in his imagination. At eleven he started painting and has never looked back. Growing up, he wanted to attend an artistic secondary school, but was told his eyesight was too poor. Refusing to let others stymie his artistic development, Dariusz taught himself the ins and outs of painting, and developed his own techniques.

Author Spotlight

Author Spotlight: Charles Payseur

This story is basically my Wisconsin spring story. Spring normally hits here in May. For the last two years we’ve had snow well into May, and last year was the worst winter in a long time. We had something like a foot and a half of snow on the ground for three months. It was . . . not fun. So the moment it was warm enough to go outside my partner and I were biking on the trails around town. And the first thing you notice here in the spring is the deer corpses.

Nonfiction

The H Word: Dropping the Vial

The true horror of disease is not the late stages — not the bleeding and the internalized necrosis and the uncontrollable rage, although those things can be terrifying. For me, the true horror of disease comes from the silent way it moves through the world, taking what it wants, touching everyone in its path. Disease is not a 1980s slasher, coming for those who fail to subscribe to some cinematic subset of Puritan values. Disease is not a killer shark, waiting for foolish swimmers to dive into the sea. Disease is a part of the natural world.

Author Spotlight

Author Spotlight: Usman T. Malik

The word “ishq” means “passionate love.” However, in Urdu, Arabic, and Farsi at least, it has mystical connotations. In Sufi circles, some writers in the Naqshbandi tradition have written that the word is derived from “ashiqa,” which is a creeping vine. When the vine of Ishq takes root in the heart of a lover, all other-than-God is effaced. The epitome of Love is when the Lover is annihilated unto the Beloved and the drop returns to the Ocean. That pain and longing for one’s beloved, whether human or divine, is part of its meaning.

Editorial

Editorial, April 2015

Check out the Editorial for a run-down of this month’s terrific content, and all our news and updates.

Author Spotlight

Author Spotlight: Desirina Boskovich

I remembered what it felt like to be four or five or six years old, when everything about the world is as garbled and surreal and strange as it will ever be. Historic events unfold around you and feel mundane, while mundane events take on historic proportions. Adults argue in hushed tones above your head or explode into screaming fights you can’t understand. Everything is insane and magical and terrifying.

Nonfiction

Feature Interview: Helen Marshall

There’s a kind of magic to short stories. I love them, I really, genuinely love them. They’re these beautiful, compact worlds that you can explode without consequences. You can just do things in short stories, you can make anything happen and you only have to convince the reader that it’s real for about thirty pages. That’s tremendously liberating.

Author Spotlight

Author Spotlight: Lynda E. Rucker

I think it’s really important that a story is allowed to go out in the world and breathe. It should have the ability to belong to its readers, and sometimes that might even mean readers changing the meaning from my original intention. Of course, there is a limited range of interpretations for every story, but I don’t like to be too rigid. I once spoke to a college class that had read a couple of my stories and I loved hearing some of the interpretations.

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