Editorial
Editorial: November 2018
Be sure to check out the Editorial for a run-down of this month’s content and for all our news and updates.
Be sure to check out the Editorial for a run-down of this month’s content and for all our news and updates.
When I was ten or eleven I read this series of children’s books in Urdu featuring a boy who travels with snake charmers and has a pet snake. He and his snake have many adventures. Subsequently I dreamed about becoming besties with a snake or two for years. I’ve been fascinated by them ever since. The Indian subcontinent, of course, has many myths about snakes who assume human shape after a hundred years. I wanted to write a story about that. The research and details naturally followed.
As an author, Amber Fallon has been publishing unabashed “guilty pleasure” horror for years. In addition to her novels The Terminal and The Warblers, her short fiction has appeared in a number of anthologies and her own collection, TV Dinners from Hell. This September, Fallon made her editorial debut with Fright into Flight (Word Horde, 2018)—a dark speculative anthology themed around flight and featuring only women contributors. This anthology was conceived of in direct response to the similarly titled Flight or Fright (Cemetery Dance, 2018) which, despite sharing the theme, only included stories by men.
I wanted Miriam to outgrow her mother, to come to the realization that her mother’s dictates are entirely arbitrary and based on some drama that has no basis in reality except in her mother’s mind. The problem is that when you finally shed someone else’s storyline, something you have been living within your entire life, what do you replace it with?
Although my parents might deny allowing their young daughter to see movies such as The Exorcist, The Omen, and many of Stephen King’s adapted books (Cujo, Carrie, Christine), images and scenes from those films have been indelibly burned into my memory like the starkest nightmares. And I did get nightmares immediately after watching these and other horror movies: the rabid dog nightmare, the demon child nightmare, the attacking birds nightmare, the girl with blood running down her face nightmare.
Be sure to check out the Editorial for a rundown of this month’s content and to get all our news and updates.
This is kind of weird, but I have these half-waking anxiety dreams about spiders descending from the ceiling onto me while I’m sleeping, to the point where I wake up in a panic, convinced there is actually a spider in my bed. So you’ll see spiders appear here and there in my fiction, although I wouldn’t say I’m arachnophobic, exactly. It’s just really creepy when they’re dangling on their threads, tiny legs working . . . ugh!
This month Adam-Troy Castro reviews The Cabin at the End of the World by Paul Tremblay.
Many years ago, when I lived and worked in Sequoia National Park, I worked ten days and had four days off. Sometimes, I could run those four days together so I had eight days off to go hiking. I was on such a trip once when I realized I was being followed by a young couple from Germany on the same trail. We didn’t walk together, but we were in shouting distance of each other. Eventually, a man passed me going in the other direction. What was it about him? I’ll never know. He sent a cold shiver down my spine, and I remember thinking how glad I was that those other two were close behind.
When I was a kid, conspiracy theories were my safe space. I had a couple of books that collected the addresses of different groups and I’d sit in my room, writing away for literature from UFO cults like Unarius and the Raelians. The United States Postal Service was a cornucopia of crackpot conspiracies, disgorging pamphlets from Minnesota’s Warlords of Satan, Christian comics from Jack Chick, apocalyptic photocopied newsletters like The Crystal Ball, catalogs for underground books from Loompanics Press, MK-Ultra exposés from Finland.