Editorial
Editorial: March 2019
Be sure to read the Editorial to get all our news, updates, and for a run-down of this month’s content.
Be sure to read the Editorial to get all our news, updates, and for a run-down of this month’s content.
I grew up where the temperature hardly ever dropped below seventy degrees Fahrenheit. My first experience of real cold was extremely unpleasant. Nikki, the protagonist of the story, comes from the same background, and I imagined this setting as especially horrifying within her context. Nikki has never been so far north and she doesn’t have the luxury of indoor heating (as I did, when I needed to flee from the cold). For her, this environment is stark beyond imagining, yet she endures through this hardship.
To celebrate Women in Horror Month 2019, I asked four excellent female writers and horror experts to join me for a roundtable discussion. Given how the genre seems to be expanding rapidly to include more women at all levels of experience and publishing, I tried to gather a group of women with a range of talents and experience: Linda Addison, Joanna Parypinski, Becky Spratford, and Kaaron Warren.
Shortly before I started writing this story, there was a viral message being forwarded via WhatsApp. I believe the message originated here in Nigeria, but I’ve heard that it has made rounds in other countries, too. It was a set of rules advising women on how to be good and “godly” wives. This list was really long, and several points in it were backed by Bible verses. These rules perfectly highlighted some of the pressure women face in Nigeria, so I decided to borrow some of them to tell this story. That said, the number in the title is arbitrary.
If you haven’t seen The Witch (2015) and Get Out (2017), you must have been living under a rock. The former was a breakout title for A24 Films, becoming the fifth highest grossing movie they’ve put out to date (with over $25 million dollars in earnings). And the latter was nominated for several Golden Globe and Academy Awards, winning the Oscar for Best Original Screenplay. Two very different films, they both took chances at the box office—with their stories, images, themes, settings, and overall experiences.
Be sure to read the editorial for a discussion of this month’s content and to get all our news and updates.
I’m from rural Arkansas, and small, dying towns are a feature of the landscape. I think I’ve been troubled by places like Swine Hill ever since I was a kid. In some towns, there’s a palpable mood that things are bad and getting worse all the time. Obviously that’s not true across the state, and some places are doing fine. But many communities are in deep decline. The past feels heavy there. It’s hard not to see my home state as a little haunted.
Emil Ferris is a Chicago-based artist in her fifties who began working on the book after barely surviving a bout of West Nile Virus in 2002. Doctors told her that she was likely to be paralyzed for life, but, after her daughter taped a pen into her hand and got her drawing again, she recovered. After completing the graphic novel My Favorite Thing Is Monsters, Emil Ferris received forty-eight rejections until Fantagraphics picked it up, eventually deciding to split the massive tome into two parts (although Book Two was originally slated for release in late 2017, Ferris decided to continue work on it, and it’s now set for a 2019 publication).
I think it’s actually commonplace among writers to borrow bits and bobs from life, sometimes even including their own, to build the telling details that give a fiction some depth of field. Words pretending to be worlds—which is not every story, granted, but at least those attempting this to any degree—need to suggest that a story is like life, that there’s more to what’s on the page than what’s actually on the page, like how in life there’s no bottom to the depths you can uncover from a person or object or situation: if you pull any thread long enough, the entire universe unravels from it.
I imagine the filing cabinets of Sunnydale’s police department filled with missing persons cases, printouts of missing people tacked to every bulletin board. I imagine Sunnydale’s police are skilled at fielding calls and unexpected visits by alarmed citizens with strange accounts of monsters eating or murdering their children. Young people die a lot in Sunnydale. Life goes on. These things happen.