This month, we have original fiction from Micah Dean Hicks (“Quiet the Dead”) and Rafeeat Aliyu (“58 Rules To Ensure Your Husband Loves You Forever”), along with reprints by Kelley Armstrong (“We Are All Monsters Here”) and Nick Mamatas (“The Glottal Stop”). In the latest installment of our column on horror, “The H Word,” Richard Thomas discusses new, exciting trends in horror films. Plus we have author spotlights with our authors, and a panel interview with some amazing women in the horror industry.
In This Issue: Feb. 2019 (Issue 77)
Be sure to read the editorial for a discussion of this month’s content and to get all our news and updates.
Stray spirits stirred in the dark. They lay like oil slicks across the asphalt, pulled their misty bodies in and out of the doors of Swine Hill’s pork processing plant, and drifted storm-like in Kay’s wake. Her every hot breath was full of the dead. The man had crossed her. Had shouldered into her on the crowded butchery floor where she leaned over a workstation and hacked through bone and bleeding pig meat. Had stolen knives and gloves from the locker that everyone knew was hers.
So disappointing. After decades of movies and TV shows and books filled with creatures by turns terrifying and tempting, it was a guarantee that the real thing could never live up to the hype. We knew that. Yet we were still disappointed. When the first stories hit the news—always from some distant place we’d never visited or planned to visit—the jokes followed. Late-night comedy routines, YouTube videos, Internet memes . . . people had a blast mocking the reality of vampires.
If you haven’t seen The Witch (2015) and Get Out (2017), you must have been living under a rock. The former was a breakout title for A24 Films, becoming the fifth highest grossing movie they’ve put out to date (with over $25 million dollars in earnings). And the latter was nominated for several Golden Globe and Academy Awards, winning the Oscar for Best Original Screenplay. Two very different films, they both took chances at the box office—with their stories, images, themes, settings, and overall experiences.
(23) No man jokes with food. Does your husband like a kind of food? Try to change your cooking. Rumour has it that in the early mornings, the expressways of Abuja are littered with dead bodies. Iman’s Toyota cut through the dusty fog of the early morning, the dark outside her windscreen occasionally broken by the few working streetlights. Never passing the forty km speed limit, Iman drove down Nnamdi Azikiwe Expressway till it became Shehu Yar’Adua Way.
Dating cis was rough, no doubt. For any woman, but especially for Beatriz Almonte, a living meme who had several years ago made a mistake and gained the attention of a secret bulletin board full of trolls for whom harassing her was a vocation not dissimilar from the priesthood. She had no more free background checks left on Spinstr, but was bored and horny enough to do without just this once and press *sm00ch* on some guy’s face. Another mistake.
To celebrate Women in Horror Month 2019, I asked four excellent female writers and horror experts to join me for a roundtable discussion. Given how the genre seems to be expanding rapidly to include more women at all levels of experience and publishing, I tried to gather a group of women with a range of talents and experience: Linda Addison, Joanna Parypinski, Becky Spratford, and Kaaron Warren.