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The subject was first discovered dead in his holding cell the morning of March 18th in the “Tombs” Manhattan Detention Center. The subject was discovered with a rope in his hand, and so police at first surmised it had contributed in some manner to his death, but there are no consistent contusions on the neck or, indeed, anywhere else on the body.
From the camp on the hill they could see everything, the river and the barn with its silos of molding grain, the hunting crows, and far to the west, in the square white farmhouse with its padlocked cellar door, the congregation of the Dead.
Stuart lay trapped underground for five days before the tall man appeared and stared into his eyes. He thought he sensed movement. Flicked on his caplamp. “Barry? Did you make it through the wall?” but there was no one.
The boy isn’t very large. The way things are these days, he figures that’s a plus. He is less of a target at night, and for this reason he has come to trust the darkness. Strange to trust darkness in a world overrun with nightmares . . . but that’s the way it is.
The viaduct killer, named for the location where his victims’ bodies have been discovered, is still at large. There have been six victims to date, found by children, people exercising their dogs, lovers, or—in one instance—by policemen. The bodies lay sprawled, their throats slashed, partially sheltered by one or another of the massive concrete supports at the top of the slope beneath the great bridge.
“Come in, come in!” the man said, sitting like a god in the middle of the room, grinning at me through broken teeth. He levered himself out of his chair, breathing heavily, and then tottered over to the wall and pressed hard against it. Under his hand, ants scurried frantically through their tunnels. “It’s quite safe. Two solid sheets of Perspex, each over an inch thick, layered over the original house’s walls. They’ve got a gap of about four inches between them, for the dirt, but the whole thing is completely sealed. There’s no chance of them escaping.”
She was dressed like a private detective from a low-budget TV show—a pair of slacks, modest high heels, and the most ridiculous trench coat I’d ever seen, one of the shorter ones, that hung just above the knees. I couldn’t help but laugh, and it was obvious my reaction annoyed her, but she did her best to hide her feelings as she pressed a finger to my lips, quieting me, and gently nudged me back inside my apartment.
“Those diagrams are terribly optimistic,” the woman in the seat beside me said, eyeing the brochure as our plane climbed away from Manila. She spoke masterful English, clipped with a Filipino accent. “Let’s hope we never have to test that theory.”
Everything the blind woman had told Harry she’d seen was undeniably real. Whatever inner eye Norma Paine possessed—that extraordinary skill that allowed her to scan the island of Manhattan from the Broadway Bridge to Battery Park and yet not move an inch from her tiny room on Seventy-fifth—that eye was as sharp as any knife juggler’s.
When the world was young, it was filled with monsters.
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