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I am subject to dreams, especially one of a curious type in which I wake on my back, unable to move, my arms pinned to my side, my legs straight. My paralysis is complete, and a thick darkness pervades my bedchamber, a darkness of an almost viscous weight, so that I can feel it pressing upon my face and bearing down against the bedclothes. And there is something else, as well: a sense of obscure doom falls upon me.
There is nothing more absurdly incongruous—ironic perhaps—than the burning fear found in the hearts of all men: the fear of death. Ironic, I say, for it is only those who have known death’s euphoric touch who find their eyes opened to the truer horror of waking life.
“We’re God’s beautiful creatures,” the vampire said, something like joy leaking into its voice for the first time since it had crawled under this house four days ago. “We’re the pinnacle of his art. If you believe in that kind of thing, anyway.”
The Pernille’s housekeeper shows me into the music room, where they’ve shoved the piano to the wall to make room for the coffin and the table and my seat. You can always tell serious clients. They lower the lights.
It happened the first time during the four a.m. feeding, and Kagome believed she was dreaming. This was not unusual; she almost never slept anymore, and most of her life felt like dreaming, now. She’d already flushed out Joe’s catheter, sponged gently at the pus that dripped incessantly from the tumor that had devoured his upper lip, and replaced the nutrient bag on the IV stand.
It all started when Ms. Salinas told us about her third eye. It was home ec., and we were sitting in front of the sewing machines with table runners that we were going to make our moms or yayas do for us anyway. I was pretty anxious about that project.
If I tell you to think about a ghost story, you will probably imagine that it takes place in the dark. Perhaps your mind will conjure up the darkness of a campfire, the scent of wood smoke and burned sugar from making s’mores, the crackle of the wind in the trees.
So if there’s anyone listening at this god-awful hour, tonight’s topic is the same one as this morning, this afternoon, and earlier this evening . . . in fact, it’s the same topic the whole world’s had for the last thirteen days, if anyone’s been counting: Our Loved Ones; Why Have They Come Back from the Dead and What the Fuck Do They Want?
The small island, which lay off the larger island of Daphaeu, obviously contained a secret of some sort, and, day by day, and particularly night by night, began to exert an influence on me, so that I must find it out.
Clutch has killed somebody recently. This goes without saying. For as long as Clutch can remember, he has always killed somebody “recently.” If not within the last few hours, then certainly within the last few days. He may have gone as long as a couple of weeks without, from time to time, when circumstances conspired against him. But never as long as a month, no, not for living memory.
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