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by Leyla Hamedi
Today his family comes to formally ask my parents—my father—for my hand. They will sit in our front room, the best room, and make small talk as his mother eyes me up and down. Her razor eyes will take in every detail and turn them into flaws and my mother will silently accept her disapproval by not saying a word.
In the morning room everything is bright and clean, florals and pastels. My wife says it looks tacky and childish, but after some pleading, she agrees not to touch the decorations. The faint lavender-colored walls I hang with dried pressed flowers in clear-plastic frames. The couch is the most expensive thing I ever bought.
The skies are a pitch-black void—cold, empty, unforgiving. Far from home, the rivers of heaven have run dry, the starlight scarce in this part of Father’s empire. Passing comets die out with a pathetic fizzle, and the migrating flocks of magpies care not to bridge the gap between star-crossed lovers.
2024 Shirley Jackson Award finalist Shirley Jackson Award finalist
Cora has left her skin lying out again. It’s the first thing I see when come in. Open the door, hang up my coat, kick off my heels, turn on the lamp, and there it is, slouched in the mid-century chair by the ratty sofa. Her empty skin, deflated, black sockets staring at me.
Something tells you this two-pump station isn’t a contactless kind of place. Google Maps gave up the ghost several miles ago. You go inside and pay in cash. Diolch, you add, your one word of Welsh; the cashier replies with something you don’t follow.
by Gemma Files
This whole business, it all started right about when I burned my church down. Not one I went to, or ministered at—I mean the one built around me, raised by my very own personal worshippers, so they could do their sacrificial reverence to me in private.
My mother sits at the kitchen table in the moonlight, gazing at her folded hands. “Has your father returned with Lilah?” “You know he hasn’t.” The tremor she had before she died is gone. A tube runs from the oxygen unit, through her laced fingers, and up into her nostrils.
On an unmarked road somewhere in the Appalachians, a midnight blue Cadillac rolled to a stop, gravel popping under tires, headlights peering out into the discord of dusk. Outside the car, in the shadowy thicket, cicadas and crickets hollered.
by Ally Wilkes
Yesterday upon the stair, I met a man who wasn’t there . . . The first time she sees the stranger, he’s coming up the stairs. The estate agent grimaces at the “UNDER MAINTENANCE” sign, assures them the lift will soon be in full working order. “What’s down there?”
If you haven’t seen it yet, you will. Three hooded figures sit cross-legged on the floor of a candle-lit warehouse. There’s something strange about the middle one: its torso somehow both too long and too hunched. The figure flickers, like a transcription error in crimson candlelight.
2024 Shirley Jackson Award finalist Shirley Jackson Award finalist
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