Nightmare Magazine

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Nonfiction

de•crypt•ed: Coles on Poe

I don’t like “The Raven” by Edgar Allan Poe. This is what I’m thinking while I am helping my daughter through the last bits of her Gothic Literature class. She doesn’t actually need my help, she just wants it. The class was taught by a woman who was clearly passionate about the Gothic.

Nonfiction

The H Word: We Factories of Pain

There is no working, thinking creature that does not have their thoughts, their life, their whole essence, alienated from them. Whether you work as a labourer, a gardener, a chef, a cleaner, a brickie, a middle-manager, an assistant, you have your very life purchased from you (if you’re lucky enough to be paid). When I worked in grounds maintenance for the council, I certainly sold my inability to feel what is now a continual ache in my hips

Nonfiction

Book and Media Reviews: June 2024

Adam-Troy Castro examines a thriller (What Happened to Nina? by Dervla McTiernan) whose ending puts it squarely in the realm of horror. He also discusses A Scout Is Brave, a new novella by Will Ludwigsen and a zombie movie you might want to check out.

Nonfiction

The H Word: New Millennium Nautical

I’ve been told that nautical horror is having a moment. What that means, or what any of us should do about that fact, is a little bit oblique, mainly because oceanic terror has been the quiet backbone of the horror genre for almost as long as it has existed.

Nonfiction

Interview: J. Nicole Jones

J. Nicole Jones received an MFA in Creative Nonfiction from Columbia University. She has held editorial positions at VICE magazine and VanityFair.com. Her essays and writing have appeared in VICE, VanityFair.com, the Harper’s Magazine website, the Los Angeles Review of Books, Salon, the Paris Review Daily, Poets & Writers, and others. She is the author of Low Country: A Memoir and The Witches of Bellinas.

Nonfiction

The H Word: My Father, My Private Monster

The first horror film I ever saw was with my father. I was way too young to watch anything so graphic, and I cowered behind the ratty green footstool in the living room, daring to peek out when the worst was over. The lights were off, curtains drawn, blinds closed, and my father lay on the couch, very disinterested in my sheer terror. But by that time, I’d already learned not to make a fuss. Be still and quiet so you don’t get noticed.

Nonfiction

De•crypt•ed: Taylor on King

I think the short story is the most effective form of horror. This is not to say a horror novel can’t be scary or great—there are many great horror novels—but the brevity of the short story serves to heighten the fear because, like a knife in the dark, it’s fast, it’s sudden, it’s unexpected, and you don’t have time to recover once it appears.

Nonfiction

The H Word: Walking in Cemeteries

Cemeteries don’t need the supernatural to terrify. Zombies and revenants aren’t required to raise gooseflesh along our necks. Ghosts don’t have to peer out from mausoleums to sink that stone of dread into our guts. King’s Pet Sematary is a great example of the fear that has been associated with graveyards in the horror genre.

Nonfiction

Book Reviews: New Novels by Hand & Kiste

Adam-Troy Castro looks at two new novels about haunts and houses: Elizabeth Hand’s A Haunting on the Hill and Gwendolyn Kiste’s The Haunting of Velkwood.

Nonfiction

The H Word: Scream & the Joy of Cheap Thrills

“What’s your favorite scary movie?” It’s a question I’m often asked, and, for the longest time, I never had an answer to it. In a genre as storied and diverse as horror, anyone would be hard-pressed for a response. What’s certain, though, is few if any, casual viewers would pick a slasher film.

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