Nightmare Magazine

LIGHTSPEED & NIGHTMARE Kickstarter graphic. Left side: Bright light blue background with rays (as of light) bursting out from the center. Central image is an open book with a rocket blasting up out of it. Below the book is the LIGHTSPEED magazine wordmark; the word lightspeed is rendered in a orange-to-yellow gradient, with a white outline around it and dropshadow underneath it. Right side: Bright light yellow background with rays (as of light) bursting out from the center. Central image is an open book with a haunted house emerging from it. Below the book is the NIGHTMARE magazine wordmark; the word nightmare is rendered in a dark red to lighter red gradient, with a white outline around it and dropshadow underneath it. Top: the words "LIVE on Kickstarter"

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Poetry

when i die


CW: None.


when i die i like
to think about the life
i lived. i like to be
alive again every time
i die i like to stay there
til morning. every time
i die i make a fuss, they always
tell me not to make a fuss
but i do. i can’t help it, i spent
so long not dying before

you think i mean a metaphor.
you think i mean i mean sex
but i do not mean
sex, i mean dying. i mean that
other thing we do at night, and
no i don’t mean sleep. or dreaming
or any other reasonable small and
eminently repeatable thing

i know so many who have died.
who have taken death into themselves
and waited for it to grow.
and when i die, i leave them all behind
and go somewhere that no one
else can go.


This piece came to me very quickly, but a lot went into it: The humor and history of death as a metaphor for sex; the quotidian almost-death that happens when we go to sleep every night; the inexplicable impulse toward self-destruction that makes us feel alive, for which there is undoubtedly a German word. I wanted to trace the line between these and see what strange new thing emerged.

— MW

Matthew Wollin

Matthew Wollin is a journalist, filmmaker, and lawyer. His journalism has appeared in Mother Jones, Slate, and The New Republic, and his creative work in Pinch, The Deadlands, juked, and elsewhere. His memoir-in-progress was a finalist for the Iowa Short Fiction Award and a semifinalist for the University New Orleans Publishing Lab Prize. The Hollywood Reporter called him “a talent to watch” for his debut feature film as writer/director, The Skin of the Teeth. You can read more of his work on his website at matthewwollin.com.