Nightmare Magazine

LIGHTSPEED & NIGHTMARE Kickstarter graphic. Left side: Bright light blue background with rays (as of light) bursting out from the center. Central image is an open book with a rocket blasting up out of it. Below the book is the LIGHTSPEED magazine wordmark; the word lightspeed is rendered in a orange-to-yellow gradient, with a white outline around it and dropshadow underneath it. Right side: Bright light yellow background with rays (as of light) bursting out from the center. Central image is an open book with a haunted house emerging from it. Below the book is the NIGHTMARE magazine wordmark; the word nightmare is rendered in a dark red to lighter red gradient, with a white outline around it and dropshadow underneath it. Top: the words "LIVE on Kickstarter"

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Poetry

Futakuchi onna speaks of the Kamaitachi


CW: none.


I.
Simple, tiny blood-cuts on a calf.
She cut herself shaving. The wind whipped
weasel-clawed, in circles around her legs.
The wind tasted of blood that day, or shrieked

like weasels finally let out to play,
tails creating a tornado inside the imagination:
what price, small flecks of blood.
What simplicity: open mouths from each cut, singing.

Who has need of eyes when one can find food
endlessly, endlessly in the skin of the wind.
We call these yokai weasels, kamaitachi.
But they eat us with the stomachs of far larger beasts.

II.
We marvel at the sea maw swallowing battleships.
We dive headfirst into the river mouth of water
that coos over our bodies, slimes them with algae.
Nothing claws us with hands or fingernails,
only the endless spiral of need. Some loves
need to destroy before they may plant.

III.
Where the hair parts. Isn’t that what all men seek?
There is a secret mouth at the base of my skull
That asks over and over again about
You.

Poem Notes:

The futakuchi onna, woman with two mouths, is a yōkai (sometimes malevolent) known for its eating. Her second mouth is at the nape of the neck, usually hidden by the woman’s hair.

The kama itachi is an invisible “sickle weasel” that travels in groups to waylay travelers. The weasels knock the traveler down, snack/slice him up, and then heal most of the injuries so no blood falls. Mysterious scrapes after falling down are blamed on these weasel yōkai.

Betsy Aoki

Betsy Aoki is a poet and speculative fiction writer whose work has been published in Strange Horizons, Uncanny Magazine, Asimov’s Science Fiction, Fantasy Magazine, The Deadlands and Beneath Ceaseless Skies. She is currently Poetry Editor for the Hugo Award-winning Uncanny Magazine.

Aoki’s debut poetry collection about women in technology, Breakpoint, was a National Poetry Series Finalist. Its signature poem, “Slouching like a velvet rope,” was selected by Pulitzer Prize winner Jericho Brown for the Auburn Witness Poetry Prize.