Nightmare Magazine

LIGHTSPEED & NIGHTMARE Kickstarter graphic. Left side: Bright light blue background with rays (as of light) bursting out from the center. Central image is an open book with a rocket blasting up out of it. Below the book is the LIGHTSPEED magazine wordmark; the word lightspeed is rendered in a orange-to-yellow gradient, with a white outline around it and dropshadow underneath it. Right side: Bright light yellow background with rays (as of light) bursting out from the center. Central image is an open book with a haunted house emerging from it. Below the book is the NIGHTMARE magazine wordmark; the word nightmare is rendered in a dark red to lighter red gradient, with a white outline around it and dropshadow underneath it. Top: the words "LIVE on Kickstarter"

Advertisement

Poetry

Exorcism

Important Note About Kindle Periodicals/Unlimited Subscriptions

Nightmare is withdrawing from the Kindle Periodicals Program on Kindle Unlimited due to the draconian terms and conditions. If you’re a subscriber via Kindle Unlimited and wish to continue your subscription (and we really hope you will!), you can subscribe directly via our website or via Weightless Books; all subscription options are available at nightmaremagazine.com/support. Each issue can still be sent to your Kindle device or app automatically. Your support during this transition (and going forward) is more important now than ever, so please do select one of the other subscription options. Thanks for your patronage!


CW: none.


In many ways, this poem is about an excruciatingly difficult childhood, but it is also about my found family, about the people who have helped me realize that the past is something you can leave behind, that you can exorcise, put away because there are better things to do than stay haunted by the dark.

—CK

this is a haunting, you explained. You were a child
but they made you both altar and offering
an effigy to burn. a red stain on white carpets. even if
they kept screaming it wasn’t like that,

don’t lie, it didn’t hurt.
you stayed, didn’t you? There was no pain

this was their haunting, their only inheritance
passed down like a judgement or a curse,
the kind like rough hands or worse,
like something in the dark saying, listen

we fed you, you’re alive, well,
you live, at least. wasn’t that enough?

they were everything, I said, and I meant it
but they broke the mirrors in every room
in my heart so I couldn’t look inside, so I made myself
into a tomb for them instead, a house they could haunt.

we loved you, we love you
we will always love you so play your part.

but they can be nothing now, you say, gently. You can
shed their poor scaffolding, their framed lies.
burn them,
clean your halls of their ghosts. that’s all they’ve ever been,
you say.

just ghosts.
so

take down their memory

clear the table

close your doors.
lock yourself up

this house is yours,
these floors, these walls.

Yours.
not theirs
.
you don’t have to love them

this is a haunting, but you don’t have to stay haunted.

look up, you say.
the sky has broken and the light comes
to tear the past apart.

Cassandra Khaw

Cassandra Khaw

Cassandra Khaw is the USA Today bestselling author of Nothing But Blackened Teeth and the Bram Stoker Award-winner Breakable Things. Other notable works of theirs are The Salt Grows Heavy and British Fantasy Award and Locus Award finalist, Hammers on Bone. Khaw’s work can be found in places like The Magazine of Fantasy & Science FictionYear’s Best Science Fiction and Fantasy, and Reactor. Khaw is also the co-author of The Dead Take the A Train, co-written with bestselling author Richard Kadrey.