The image flashes only briefly on the television screen, but that’s all it takes. In that millisecond before Libby squeezes her eyes shut, the spiders are already at work in her mind, weaving sticky new synaptic bridges. They twist and shape the unlikely connections.

We pull in the first wrong thing at two a.m., under a choppy wind and reddening moon. It’s not discovered until two fifty-five a.m, after the great nets have been poured through the processing machines and seas of pelagic fish spill over the lip of the conveyor belt. It’s an apprentice who spots it.

I, like many of us, am always scared. A friend of mine once asked me why. And the first thing that came to my head was to show him Junji Ito’s “The Enigma of Amigara Fault.”

Dan Coxon has won a World Fantasy Award (Heartwood: A Mythago Wood Anthology), a Saboteur Award (Being Dad) and two British Fantasy Awards (Writing the Uncanny and Writing the Future, both co-edited with Richard V. Hirst). He has been shortlisted for the British Fantasy Awards a total of eight times, and was a finalist for the Shirley Jackson Awards.

in my vision, I taste happiness. I watch the sun’s dance & listen to the music of laughter. I run through a garden & somehow, I am a child again, trying to catch butterflies but they keep slipping through my fingers; like happiness, like love, like everything else I chase.