Nonfiction
Panel Discussion: Penny Dreadful
Pop culture journalist Theresa DeLucci joins Nightmare’s very own Christie Yant, as well as Angela Watercutter, writer and Wired editor, to discuss the TV series Penny Dreadful.
Pop culture journalist Theresa DeLucci joins Nightmare’s very own Christie Yant, as well as Angela Watercutter, writer and Wired editor, to discuss the TV series Penny Dreadful.
I was in choir from elementary school up into my first year of college. I was a first soprano through and through. Music is one of my passions; I enjoy listening to orchestra, Broadway, video game and animation music. If you want to win me over, tell me what you think of Hamilton or Undertale. In addition, I trained in the basics of violin playing.
James T. Robb is an illustrator based out of the Los Angeles. area. His work typically revolves around the illustration and gaming industries, but he is constantly seeking to expand into new, interesting endeavors. His father was a businessman in the import and export industry, and as a result James moved around a lot when he was young. A good portion of his childhood was spent in Latin America and all over the US. He grew up with access to a wide array of cultures and beautiful sights, but the constant change also carried an element of isolation.
I have a fascination with insect hive populations and mega-colonies and their various forms of communication, and I’ve always wondered if at some point, insects will figure out a way to manipulate humans into becoming walking bone radios or wetware smart phones or whatever it is they need us to be. And I think of insects as wholly alien and therefore probably excellent at transmitting messages between dimensions, acting as voice carriers or even as video cameras for beings in other planes of existence.
Audio horror adds another layer. When watching or reading horror, we have the opportunity to look away or skim when things get a little too intense. Audio forces you take a much more active role in escaping. We’re not allowed to cover our eyes when Button Boy is fastening those smiley faces to his victims in “Best New Horror” by Joe Hill. When our hapless editor is crashing through the woods at the end, our hearts are pounding with the same mix of exhilaration and fear. Audio horror stalks you relentlessly.
The horror that has the strongest impact on me has always been horror in which suspense is primary and gets coupled with a kind of dread, so that you feel sure that something is wrong, but that you’re only touching the tip of the iceberg. A friend of mine and I were talking about how disappointing most horror movies are when the monster you’ve been seeing bits and pieces of is finally revealed: it’s almost always a disappointment. It’s much more frightening when you only partly know what’s there.
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I set myself a challenge a few years ago to write a series of stories using the titles of cheesy SF/horror movies from the 1950s as a source of inspiration. The idea was to honor the pulpy nature of the material while treating it with subtlety and emotional nuance. So far, three of them have seen print—The Creature from the Black Lagoon (retitled “The Creature Recants”), “I Married a Monster from Outer Space,” and “Teenagers from Outer Space,” with another one forthcoming (“Invasion of the Saucer-Men”).
There’s a famous quote about Jack Ketchum that goes like this: “Who’s the scariest guy in America? Probably Jack Ketchum.” The author of that quote? Just some guy named Stephen King. Ketchum—who, in person, is amiable and personable enough to have once been a successful literary agent (he managed the career of literary icon Henry Miller, among others)—has always walked a unique line between mass market author and cult object. His first novel, Off Season, was released by Ballantine Books in 1980; in his introduction to a later reprint, Douglas Winter called the tale of a group of cave-dwelling and cannibalistic savages who prey on vacationing New Yorkers “raw and risky.”
Especially when GPS devices in cars were new (and occasionally even now, when most of us just use map apps on our phones), there were lots of stories about people blithely driving into lakes or off cliffs or over broken bridges because they followed the advice of their devices rather than looking at the world around them. Certainly, I have followed GPS directions into weird neighborhoods and down bizarre side streets I never would have visited otherwise.