I’ve written several stories that are grounded in the academic world, either through plot or narration or setting. The contemporary idea of school is inherently a chaos unto itself, and there’s so much mystery in knowledge, so much potential for the unknown, the arcane, and the incomprehensible to rear their heads in learning, that the academic world lends itself to horror.

This is a dark reply to recent obsession with the worst things creators have done, either in their personal lives or in their public pronouncements. I fear that, given what amounts to omniscience like the bookseller’s unspecified “sources,” damned few creators would survive with their reputations intact. And then there are the names of people safely dead, like the story’s specified Al Capp, whose deeds are downright sickening.

Somewhere along the line, my thing, certainly as far as short fiction goes, seems to have become setting out to write genre stories that wind up becoming relationship stories. It’s probably no big giveaway to say this was intended as a take on the “Invasion of the Body Snatchers” formula, but as I went on, I began to realise that a big part of what I found so fascinating in that concept is, how would you even know?