Welcome to issue thirty-six of Nightmare!
We’re just back from Sasquan, the 73rd annual World Science Fiction Convention (Worldcon), held this year August 19-23 in Spokane, Washington, and as you may have heard on the interwebz, we won another Hugo! Our sister-magazine Lightspeed took home the rocket for Best Semiprozine, but also, just as exciting there were two other Lightspeed Hugo victories: Thomas Olde Heuvelt’s story from Lightspeed, “The Day the World Turned Upside Down,” won the Hugo for Best Novelette, and one of our illustrators, Elizabeth Leggett, won the Hugo for Best Fan Artist. Congrats to them both, and thanks to everyone who voted for all of us. (Also thanks to all of the people who work on Lightspeed, and of course all of our authors and artists—I thanked them all on stage, but it bears repeating!) Lightspeed won the Hugo for Best Semiprozine last year as well, but most of the team wasn’t able to be in London to accept the award in person (none except for our podcast producer, Stefan Rudnicki, were able to make it), so having all of us there in person this year made it extra special for us.
In related news, I also personally won an Alfie Award (for Best Editor, Short Form), a new, possibly one-off award presented by George R.R. Martin. It was created in response to controversy this year over the Hugo nominations; much ink and pixels have been spilled debating said controversy so we won’t bore you with the details here, but check out this io9 post if you want to learn more about it and why GRRM created the Alfie: bit.ly/alfie_awards. This is also a wonderful honor, and I’m deeply appreciative. I’m sad to say I didn’t make it to the party where GRRM was presenting the Alfies (him presenting the awards was a surprise), so I haven’t even seen it yet, but I saw the ones presented to Liz Gorinsky and Annie Bellet, and they look wonderful. (They’re made out of vintage car hood ornaments, which closely resemble the original shape of the first Hugo Awards.)
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In other awards news, the World Fantasy Award nominations were also announced recently, and I’m pleased to report that I have been once again nominated in the “Special Award, Professional” category. I am extremely honored to be nominated again (now for the seventh time overall, including three Anthology nominations), and I will be in Saratoga Springs, New York for the World Fantasy Convention (November 5-8) when the awards are presented (where I look forward to losing to Gordon Van Gelder in person). The full list of finalists is available at worldfantasy.org/awards.
And ICYMI last month: Both Lightspeed generally and our Women Destroy Science Fiction! special issue specifically have been nominated for the British Fantasy Award! (Lightspeed is nominated in the Periodicals category, while WDSF is nominated in the Anthology category.) Huge congrats to Christie Yant and the rest of the WDSF team, and thanks to everyone responsible for selecting these nominations — it’s a huge honor! The winners will be announced on October 25 at FantasyCon 2015 in Nottingham, UK. You can find the full list of finalists at britishfantasysociety.org.
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Releasing this month, on September 15, is a new anthology I edited called Loosed Upon the World, the definitive collection of climate fiction. These provocative stories explore our present and speculate about all of our tomorrows through terrifying struggle and hope. Join bestselling authors Margaret Atwood, Paolo Bacigalupi, Nancy Kress, Kim Stanley Robinson, Jim Shepard, and over twenty others as they presciently explore the greatest threat to our future. Visit johnjosephadams.com/loosed to learn more.
Then in October comes the debut of Best American Science Fiction and Fantasy, part of the prestigious Best American series. In it, guest editor Joe Hill and I present the top twenty stories of 2014 (ten science fiction, ten fantasy). It’ll be available starting October 6. Learn more at johnjosephadams.com/best-american.
And ICYMI, last month I published a new anthology co-edited with Daniel H. Wilson called Press Start to Play. It includes twenty-six works of fiction that put video games—and the people who play them—in the spotlight. Whether these authors are tackling the humble pixelated coin-op arcade games of the ’70s and ’80s, or the vivid, immersive form of entertainment that abounds today, you’ll never look at phrases like “save point,” “first-person shooter,” “dungeon crawl,” “pwned,” or “kill screen” in quite the same way again. With a foreword from Ernest Cline, bestselling author of Ready Player One, Press Start to Play includes work from: Daniel H. Wilson, Charles Yu, Hiroshi Sakurazaka, S.R. Mastrantone, Charlie Jane Anders, Holly Black, Seanan McGuire, Django Wexler, Nicole Feldringer, Chris Avellone, David Barr Kirtley, T.C. Boyle, Marc Laidlaw, Robin Wasserman, Micky Neilson, Cory Doctorow, Jessica Barber, Chris Kluwe, Marguerite K. Bennett, Rhianna Pratchett, Austin Grossman, Yoon Ha Lee, Ken Liu, Catherynne M. Valente, Andy Weir, and Hugh Howey. You can sample the anthology by reading “God Mode” by Daniel H. Wilson, in the current issue of our sister-magazine, Lightspeed. Visit johnjosephadams.com/press-start to learn more.
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With the announcements out of the way, here’s what we have on tap this month:
We have original fiction from Vajra Chandrasekera (“The Sill and the Dike”) and Gwendolyn Kiste (“Ten Things to Know About the Ten Questions”), along with reprints by Richard Christian Matheson (“Third Wind”) and Reggie Oliver (“The Skins”).
We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with the creators of Dapper Cadaver, one of the best sources for creepy props and Halloween supplies.
It’s another great month for nightmares, so thanks for reading!
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