Nonfiction
Book Reviews: New Novels by Hand & Kiste
Adam-Troy Castro looks at two new novels about haunts and houses: Elizabeth Hand’s A Haunting on the Hill and Gwendolyn Kiste’s The Haunting of Velkwood.
Adam-Troy Castro looks at two new novels about haunts and houses: Elizabeth Hand’s A Haunting on the Hill and Gwendolyn Kiste’s The Haunting of Velkwood.
I think it started out in my head with the scene where the eyeball falls out of Muniza’s socket, and this almost sitcom style uh-oh moment where there’s just the worst person in the world witnessing that. The shame of falling apart while under intense, unsympathetic scrutiny. Then I got to thinking: what are the emotional stakes of that situation?
“What’s your favorite scary movie?” It’s a question I’m often asked, and, for the longest time, I never had an answer to it. In a genre as storied and diverse as horror, anyone would be hard-pressed for a response. What’s certain, though, is few if any, casual viewers would pick a slasher film.
Sometimes people just suck. Let me clarify. Lest you think I’ve been mainlining cable news or perhaps just reading a lot of Sartre (who hurt you, Jean-Paul, to make you say, “Hell is other people”?), I mostly believe in human goodness and expect the best from people. But I think we can all agree that when people decide to be mean, it hurts like nothing else.
I like grimy stuff. Dirty, menacing, quick-witted exchanges between folks. I like crime fiction and horror that refuses to get world-rending, to get huge, that sticks to singular people. I love writing shakedowns, and that’s what happens to Chuck in that first scene. He’s got a need, and that need gets exploited
Let me begin as simply as I can: It’s really weird to revisit Stephen King’s The Stand in late 2023. Here’s where the simplicity stops, because said weirdness is multifaceted, and each facet is rooted in a variety of different variables.
I’m pretty sure I still have a Post-It somewhere in my bedside table on which is scribbled in near-indecipherable handwriting “the witch falls in love with a GHOST,” that I think I wrote around 3 am one night when this story was just starting to float around in my head.
It’s a quiet night at home. A woman watches a scary movie in a darkened room when a real-life killer appears. Screaming, she jumps from the couch, popcorn flying, and the chase begins. The mask-clad, knife-wielding killer pursues her.
I don’t know what your local grocery store looks like this month, but when February rolls around, the Safeway up the street from my house nearly bursts open with pink stuffed animals, pink boxes of candy, pink accessories, and pink baked goods.
Extreme wealth seems to function as mental illness for many people, as it depends on a dehumanisation of everyone else to normalise the excess (like that hit documentary series, Succession). Perhaps it’s entitlement to power; perhaps it’s losing the perspective to see how unreal life becomes.