Nightmare Magazine

LIGHTSPEED & NIGHTMARE Kickstarter graphic. Left side: Bright light blue background with rays (as of light) bursting out from the center. Central image is an open book with a rocket blasting up out of it. Below the book is the LIGHTSPEED magazine wordmark; the word lightspeed is rendered in a orange-to-yellow gradient, with a white outline around it and dropshadow underneath it. Right side: Bright light yellow background with rays (as of light) bursting out from the center. Central image is an open book with a haunted house emerging from it. Below the book is the NIGHTMARE magazine wordmark; the word nightmare is rendered in a dark red to lighter red gradient, with a white outline around it and dropshadow underneath it. Top: the words "LIVE on Kickstarter"

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Poetry

We Are Always Walking on Dead Things


Content warnings:

Death, animal death.


There is so much we don’t know. I’ve often stood in ankle-high grass wondering what lay deep beneath my feet . . . and what lay beneath that . . . and beneath that. This poem is my way of exploring history, legacy, and inevitability.

—ERV

You awake every morning in a bed
which resides above the bones of a doe.

The creature died long ago, swallowed
by the earth before men came to build the house—

this house, where you make your coffee,
sleepily shuffling from counter to counter.

A mouse, having eaten poison behind the fridge,
died beneath these patterned kitchen tiles—

did you know? And in the front hall,
beyond that mahogany picture window

overlooking the rose bush, a dead bird—
so fresh it doesn’t look dead at all—lies

nestled in mulch between roots, roses,
thorns. What a beautiful place to lay

down and rest. So peaceful. Pleasant.
But the cardinal isn’t the only one

this yard has claimed. There have been rabbits,
foxes, insects, snakes, rodents of all sizes.

There has been me. Secreted beneath the asphalt
upon which your beige little sedan now idles,

having been stored in the ground after the doe,
but before the house came to stand on this spot.

A secret between me and the earth,
sealed forever by time and circumstance.

Never forget that this world is a tomb.
One day, it will open wide for you.

Emily Ruth Verona

Emily Ruth Verona received her Bachelor of Arts in Creative Writing and Cinema Studies from the State University of New York at Purchase. In 2014 she won the Pinch Literary Award in Fiction. She is a Bram Stoker Award nominee, a Jane Austen Short Story Award Finalist, and a Luke Bitmead Bursary Finalist. Previous publication credits include fiction and poetry featured in three anthologies as well as magazines such as The PinchLamplight MagazineMystery TribuneBlack Telephone Magazine, and The Ghastling. Her essays/articles have appeared online for Tor, Bookbub, Litro, BUST, and Bloody Women. She lives in New Jersey with a very small dog.