Horror & Dark Fantasy

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Podcasts

Produced by Grammy and Audie award-winning narrator and producer Stefan Rudnicki, our podcast features audiobook-style recordings of two of the four stories we publish each month in Nightmare. To subscribe (free!) to the podcast, you'll either need our podcast RSS feed (http://nightmare-magazine.com/itunes-rss) and put that into your favorite podcast client (a/k/a podcatcher), or you can just subscribe via iTunes.

 

It Feels Better Biting Down

“What’s with the lawnmower. No one mows this early in spring.” “It’s June,” I reply. “Spring should be long gone.” My twin sister rolls over onto her back, rubbing the afternoon sleep from her eyes with ten long, pale fingers and two long, pale thumbs. I’m lying next to her in our nest of pillows on the living room carpet, holding a book with hands that look just like hers, pale and strange, the extra finger curving into each palm.

This Is Not for You

Three potential sacrifices, just as Phoibe’d predicted, blundering through the woods like buffalo in boots. Mormo broke cover first, naked and barefoot, screaming, with the boys following after, whooping and hollering, straight into the gauntlet, too lust-drunk to see where they were going. Pretty little thing, that Mormo, with a truly enviable lung capacity; the best lure they’d had by far in all the time Gorgo’d been attending these odd little shindigs.

The Man in the Ditch

There was nothing to look at once they were away from the town, only a long road stretching ahead, bare fields on either side, beneath a lowering gray sky. It was very flat and empty out here on the edge of the fens, and dull winter light leeched all colour from the uninspiring landscape. Occasionally there was a ruined windmill in the distance, a knackered old horse gazing sadly over a fence, a few recumbent cows, a dead man in a ditch—

Singing With All My Skin and Bone

I’m telling you this so you know: I don’t remember when I started eating myself. You should remember something like that. It should be a moment, one of those that you carry around forever, a line that you cut across your life to mark before, when everything was one way, and after, when everything was different. I don’t remember discovering it like a secret formula or an equation that explained the universe.

Upon the Body

The sin-eater arrived in Zonia Province two days before the death of the great gun fighter, Arryo Salazar. He was a small man, the sin-eater, thin and wiry, a rusting coil. At sixty-four, he had left the tautness of youth behind, and his skin, wrinkled, but importantly still unmarked, sagged and folded when he spoke.

Dear Owner of This 1972 Ford Crew Cab Pickup

It’s me again. Remember me? In the beginning I left a note stuck to your windshield. You are parked outside my bedroom window, it said. Please stop revving your truck at 3 a.m., or find somewhere else to park.

Death and Death Again

That evening, she kills him again. This time, she works slowly, exquisitely slowly, taking frequent stops for food, for wine, for blood. Once or twice she even excuses herself to go to the bathroom, apologizing for leaving him alone.

The Black Window

The house looked like a sand castle after the tide had come in. Except sand suggested a crumbling grayness, and the tall, narrow house was a fresh white. A front porch was large enough for a swinging bench if I could bear that level of domesticity.

Dirtman

When I see the scorpion curled under a caliche rock I picked up, my first want is to smash it like Daddy would. Daddy’s always killing things—hairy tarantulas in the hall, fat diamondbacks in the field, and my hound pups when they get parvo. Our few patches of grass have the sick, but Daddy won’t treat it. He says it costs too much.

Don’t Go

—Don’t go—she said. Leaning on the door frame as if she was about to fall down. I understood that she was worrying about me. She could’ve stopped me, but she didn’t. Only the words: “Don’t go.” A lump in her throat, no strength to say more than this.