Horror & Dark Fantasy

IntheNightWood-Banner_Final_Lightspeed Oct 2018

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Nonfiction

Editorial

Editorial, April 2013

Welcome to issue number seven of Nightmare! We’ve got another great issue for you this month; read the editorial to see what we’ve got on tap.

Author Spotlight

Author Spotlight: Angela Slatter

The time period is a kind of fugue—when I created this world (for the Sourdough and Other Stories collection) I had a mix of the Middle Ages, the Renaissance, and Victorian era, all jammed together, bringing the ideas and superstitions of their own times into the one place. When I wrote “The Coffin-Maker’s Daughter,” I was using the Sourdough world, but this story had a much more Victorian feel to it. As with all my writing, I’m a bower bird, picking over superstitions from a range of places and remaking them into something new.

Nonfiction

Interview: Jonathan Maberry

I read a lot of science, and to me it’s scarier if the horror is backed up by believable science because then it’s part of our world as opposed to something that’s so outré that it’s not a part of our world, it’s not connected to us. It’s not that I don’t like those other kinds of fictions—I read them. But for me as a writer, I want to tell something that would scare me. I’m not scared of supernatural monsters. I am frightened of a bacterial or bio-weapon that is misused, so I write what scares me.

Author Spotlight

Author Spotlight: Jeff VanderMeer

The story came to me in the form of the first paragraph, and then the realization that of course it would be one of those rare short stories from multiple points of view. So then it was just a matter of following the threads of that idea, combined with the thought that something had gone terribly, terribly wrong. And that sometimes after something has gone terribly wrong, it’s not so easy as picking up the pieces and starting over . . . not if something irrevocable has occurred.

Artist Showcase

Artist Spotlight: Daniel Karlsson

Socially, I’m not always allowed to doubt or question other people’s idea of happiness, beauty, and normality—not without risk of alienating them—but through my art it’s possible for me to criticize, violate, and expose those things. It’s a way for me to communicate my emotions and thoughts without forcing anything upon anyone.

Author Spotlight

Author Spotlight: Livia Llewellyn

The first part of the story came to me in early 1999, when I was working at Tor, in the Flatiron Building. From the window of my little work area, I could look across the street and see this massive apartment building, all the windows and lights flicking on and off all day as people went about their lives. There was one window with curtains that moved back and forth behind the glass, which always struck me as odd, since the rest of the windows had flat shades and blinds that never moved.

Nonfiction

The H Word: The F Bomb

I write this missive from the ruins of December 21, 2012, which came with blood and fire upon the heels of not one but two Raptures. I write to you from the propane-warmed heart of my Y2K shelter, where my fridge is stocked with Tang and canned juice, my shelved piled high with Maruchan ramen and bulging bags of Malt-O-Meal. The stock market has crashed: the dollar is worthless. The recently dead are walking the streets with food in their teeth, and we’re what’s for dinner. It is as we have always feared: the world has ended.

Author Spotlight

Author Spotlight: David Tallerman

I began with the idea of a horror story set during a mountaineering expedition and all the detail, Kanchenjunga, its five peaks, Crowley, all of that came out of the research. I just kept discovering these weird facts and coincidences and everything slotted into place. It felt like I’d stumbled onto a story that wanted to be told, which has never happened before or since.

Editorial

Editorial, March 2013

Welcome to issue number six of Nightmare! We’ve got another great issue for you this month; read the editorial to see what we’ve got on tap.

Author Spotlight

Author Spotlight: Molly Tanzer

I found myself contemplating what it might mean to combine the picaresque with necromancy. I find necromancy an entertaining profession, I love eighteenth century-style narratives, and I adore shady heroes, so it seemed a natural combination.