Horror & Dark Fantasy

Best American Science Fiction and Fantasy 2017




Queers Destroy Horror! Roundtable Interview

What is it like to be a queer horror writer in 2015? We caught up with four up-and-coming writers of the dark, surreal, and horrific — Meghan McCarron, Brit Mandelo, Rahul Kanakia, and Carrie Cuinn — to ask about their experiences in the genre. Here, they offer their insights into genre, identity, and the strange attractions of fear.

Author Spotlight

Author Spotlight: Sunny Moraine

I think writing about frightening things is a very primal way in which we cope with them; we’ve probably been telling horror stories since we first began telling stories at all. But for people who face oppression and marginalization and daily peril because of who they are, I think fiction is even more powerful, because telling stories is a form of resistance.

Artist Showcase

Artists’ Spotlight: Five Queer Artists Destroying Horror Art

Queer horror art is the tl;dr of our most disturbing moments. We who let our subconscious bleed onto canvas, paper, and clay are compelled to remark upon the world with our hands and voices. At least for us, the darkness in our history is an orchard of inspiration. It’s a history I like to see flayed and stitched back together in different iterations, examining the unique ways in which we understand the sickness in the human condition.

Author Spotlight

Author Spotlight: Lee Thomas

One insidious aspect of prejudice is the effect it has on a person’s self-worth. That’s the metaphor behind “The Lord of Corrosion.” Not only does the title represent a monster, but it also represents the cultural messaging that can eat away at a person’s self-esteem. For a child like Sofia, she has no concept of being different, because her fathers didn’t raise her to think in prejudicial terms.


The H Word: A Good Story

Earlier this year, I asked Facebook friends to leave comments if they (or those they love to read) are queer horror authors. It was a popular post. While remarks like “Me! I’m gay!” or “Heck yes! Clive Barker is my favorite!” dominated the thread, there were also several comments like this: “I don’t care about the author’s sexuality; I just want a good story.” A good story. Doesn’t every reader of popular fiction want that?

Author Spotlight

Author Spotlight: Alyssa Wong

For this story, I wanted to write about a variety of queer Asian American ladies. Luckily, I know many queer Asian American ladies, and our myriad experiences—both the commonalities and the differences—helped me put together a number of characters whose lives I felt were plausible in this setting. They’re not meant to be representative of Every Queer Asian American Woman, because I believe that the idea of an extant One True Narrative is total bullshit.


On the Destruction of Horror: Notes from Your Queer Editors

The editors of Queers Destroy Horror! — Wendy N. Wagner, Megan Arkenberg, and Robyn Lupo — talk about their vision for this special double-issue, and share thoughts about working in the genre as queer creators.

Author Spotlight

Author Spotlight: Matthew Bright

I have a disturbing weakness for the Victorian gothic, and if you’re playing in that wheelhouse, Dorian Gray is as queer as they come. Oscar Wilde was a genius, Dorian is his finest creation, and if you’re going to steal, steal from the best.


Interview: Dapper Cadaver

Tucked away behind an unassuming warehouse façade at the far eastern end of the San Fernando Valley is one of the most gleefully horrific places in Southern California: Dapper Cadaver. Founded in 2006 by husband and wife team BJ and Eileen Winslow, Dapper Cadaver is a horror prop shop that services the film and television industries, haunted attractions, amusement parks, carnival sideshows, private parties, and even disaster preparedness training courses.

Author Spotlight

Author Spotlight: Reggie Oliver

A “skins” role is one in which the performer acts, either singly, or, as in the case of Syd and Peggy, doubly in an animal skin. I myself performed a skins role when I played King Rat in the pantomime DICK WHITTINGTON. There is something peculiar and distinctive about performing a “skins” role. It is when such recollections and preoccupations merge in the imagination that a story begins to form itself.