Welcome to issue twenty-four of Nightmare!
Good news, everyone: Lightspeed won a Hugo!
The 2014 Hugo Awards were presented at Worldcon in London last month. Prior to this year, it’s been my great honor to have been nominated for six Hugo Awards for editing: three for Lightspeed in the Semiprozine category and three for myself personally in the Best Editor (Short Form) category. Up until now, both Lightspeed and myself had each been 0-3 in our respective categories.
If you’re reading this editorial then you probably already know that this year both Lightspeed and I were again nominated in the two aforementioned categories. But now THE STREAK HAS BEEN BROKEN: Lightspeed won the Hugo Award for Best Semiprozine! I immediately started a new losing streak by losing the Best Editor (Short Form) award to Ellen Datlow, but naturally I’m thrilled that Lightspeed took home the prize. And honestly if I’d had to choose which of the two categories I would win, I would definitely have chosen Lightspeed winning Best Semiprozine, so I’m not even a little bit sad.
I wasn’t able to be in London for Worldcon this year to accept the award in person, but Lightspeed’s (and Nightmare’s!) Podcast Producer, Stefan Rudnicki, was there and accepted on behalf of the magazine.
Thanks again so much to everyone who reads and who voted for Lightspeed, and to all of the authors and editors who have helped make it possible!
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In other happy news, Nightmare is now available as a subscription via Amazon.com! The Kindle Periodicals division has been closed to new magazines for quite a while now (and has been since before Nightmare launched), but by employing some witchcraft we were able to get the doors unlocked just long enough for us to slip into the castle. Amazon subscriptions are billed monthly, at $1.99 per issue, and are available now.
Speaking of subscriptions, we’ve also made a change to the way our nightmare-magazine.com ebookstore subscriptions work. We’re discontinuing the bill-you-every-month subscription option in favor of a more traditional type of magazine subscription; now when you subscribe, you’ll sign up for a six ($11.94), twelve ($23.88), or twenty-four ($47.76) month subscription and then will only be billed once per subscription term. This change is going to make it a lot easier for us to process subscriptions and should help improve our cashflow, which of course we’ll use to make Nightmare even more awesome. If you’re a current subscriber, you don’t need to do anything; when your current subscription runs out, we’ll just send you an email to remind you to renew and then you’ll be presented with the new subscription options at that time.
To learn more about these and our other subscription options, please visit nightmare-magazine.com/subscribe.
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In anthology news, the next installment of The Apocalypse Triptych—the apocalyptic anthology series I’m co-editing with Hugh Howey—is now available. The new volume, The End is Now, focuses on life during the apocalypse. The first volume, The End is Nigh (about life before the apocalypse) is on sale now. If you’d like a free preview of the anthology, pop over to Lightspeed and read Tananarive Due’s The End is Now story, “Herd Immunity.” For more information, visit johnjosephadams.com/apocalypse-triptych.
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With our announcements out of the way, here’s what we’ve got on tap this month:
We have original fiction from Sunny Moraine (“Singing with All My Skin and Bone”) and Daniel José Older (“Animal”). For reprints, we have work from Charles Grant (“Old Friends”) and Lisa Tuttle (“The Man in the Ditch”).
In the latest installment of our column on horror, “The H Word,” Lesley Bannatyne will be examining the history of horror and horror’s favorite holiday, Halloween. We’ve also got author spotlights with our authors, a showcase on our cover artist, and a feature interview with Welcome to Night Vale’s Cecil Baldwin.
That’s about all I have for you this month. Thanks for reading!
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