While most horror authors are content to create chills, a handful are more interested in studying exactly how those chills are manufactured. Leslie Klinger is one of the genre’s most significant nonfiction experts. Although he began his nonfiction career annotating Sir Arthur Conan Doyle’s Sherlock Holmes tales, Les has since become a major figure in the art of nonfiction horror, providing annotations for Dracula, Neil Gaiman’s Sandman, and (released in October) twenty-two stories by H. P. Lovecraft.
A time-honored adage amongst writers of the macabre declares, “True horror is timeless.” Things and ideas that scared us centuries ago still retain the same deep-seated dread our ancestors faced: anything threatening us that is beyond our understanding or our control. Whether this be a repulsive creature or a psychological fear of abandonment, loss, or death, certain fears are hard-wired into our collective psyche.
Jeff Simpson is a concept artist and illustrator living in Montreal Canada, currently working for Ubisoft Montreal. His previous clients include Eidos Montreal (Deus Ex Next Gen), Ubisoft Montreal (Assassins Creed: Revelations, Assassins Creed: 3, Assassins Creed: Unity), Universal Pictures (Snow White and the Huntsman), Lionsgate (The Last Witch Hunter), MovingPictureCompany (various films to be announced), The Mill (VFX concept for several advertisements), Wizards of the Coast (Magic The Gathering).
Check out the Editorial for new, updates, and a run-down of this month’s terrifying content.
Joyce Carol Oates is not only one of the most acclaimed authors of our time—her more-than-forty novels, novellas, plays, short stories, poetry, and nonfiction works have earned her a National Book Award, two O. Henry Awards, the National Humanities Medal, and a Pulitzer Prize nomination—but she’s also an acclaimed horror and suspense author who is a multiple winner of the Bram Stoker Award, a recipient of the World Fantasy Award, and the first female author to receive the Horror Writers Association’s Lifetime Achievement Award.
I love artists. They are the best kind of people. I highly recommend you take any opportunity you can to find yourself in a room full of them (preferably when they happen to have sketchbooks in hand). When I was asked if I could find a few amazing women to do the artwork for the Women Destroy Horror! issue of NIGHTMARE, I happened to be attending the Illustration Masters Class. I looked up from my laptop, glanced around the studio I was working in, and immediately emailed back “Why yes, I think I can.”