For two seasons, Carnivàle followed a Depression-era carnival across a bleak American landscape, but was really about the eternal battle between light and darkness, as represented respectively by Ben, a farm boy with healing powers (played by Nick Stahl) and a preacher, Brother Justin (Clancy Brown), who is accessing far more sinister abilities. As unusual as Carnivàle was, the story behind the story was equally rare in Hollywood: the series was created and produced by a first-timer in his forties.
I’m interested in capturing a character’s internal struggle. Over the course of the years I found it feels more appropriate to let my characters free from regular human bodies. I don’t necessarily try to make their bodies look scary. The design is a result of my attempt to capture their emotions.
Science fiction and horror share many of the same genre roots; science fictional motifs wind through horror like strands of DNA, and horror’s tentacles have slithered into many works that are otherwise squarely science fiction. If science fiction is the literature of ideas, and horror is the literature of fear, there’s plenty of room for the two to blend.
Welcome to issue 23! Check out the editorial for a rundown of what appears in this issue and for news and notes.
Imagine a horror-specialty retail store that has not only survived for two decades but has helped shape the very genre it markets, and you’ll get some idea of why Dark Delicacies is one of horror’s (not so) hidden treasures. Located in the Magnolia Park area of Burbank, California (where Dark Delicacies’ success seems to have spawned neighboring stores with names like Halloween Town and Creature Features), Dark Delicacies was founded by Del Howison and Sue Duncan.