Kc Wayland is the writer and director of the zombie horror podcast We’re Alive, a full-cast audio drama that has racked up over 32,000,000 downloads. David Cummings is the host and producer of The NoSleep Podcast, an award-winning anthology series of original horror stories. He has also appeared on the Pseudopod horror podcast and The […]
Dennis Carlsson is a tattoo artist born in 1986 in Sweden. He’s been drawing all his life, and is self-taught. After discovering Photoshop, a cheap tablet was bought, and now he mainly paints digitally. He never thought that art would be his livelihood, but today he runs his own tattoo studio, DC Tattoo, outside of Borås, Sweden.
To riff on a George Orwell quote: no literary, film, or artistic mode or genre is free from political bias. That said, the political baggage of horror is considerable, and oftentimes, problematic. Many a smart person has argued, and convincingly so, that the horror genre is a conservative/reactionary one, too often with the ugliest political shades on display; misogyny, homophobia, xenophobia, ruling class re-imaginings of the other as invading monsters. From Freud’s uncanny to the gender politics of the final girl, perhaps no other genre is as fraught with such political anxiety.
Be sure to read the Editorial for all our announcements, news, and a run-down of this month’s creepy content.
Lucy Snyder is one of those rare genre-hopping writers who are equally at home in horror, science fiction, poetry, or nonfiction. Throughout her career, she has (almost gleefully) defied clichés and reveled in contradiction: She was born and raised in what she calls the “cactus-and-cowboys” area of Texas, but her work is often urban in setting and tone; she has published collections of both erotica (ORCHID CAROUSELS) and humorous essays about computers (INSTALLING LINUX ON A DEAD BADGER).