Tran Nguyen is a Georgia-based gallery artist and freelance illustrator. Born in Vietnam and raised in the States, she is fascinated with creating visuals that can be used as a psycho-therapeutic support vehicle, exploring the mind’s landscape. Her paintings are created with a soft, delicate quality using colored pencil and acrylic on paper. Nguyen has worked for clients such as Playboy, Tor, McDonald’s, Chateau St. Michelle Winery, and has showcased with galleries in California, New York, Spain, and Italy.
Fortunately, horror fiction in the twenty-first century has expanded past those traditional roles (remember when the catch-phrase “You’ve come a long way, baby” referred to a cigarette targeted at women?). Along the way, the most interesting horror fiction has reflected society’s changing views . . . and in a few cases (see below), may even have helped push those changes.
Read the Editorial for all our news, updates, and a run-down of this month’s content.
Robert Shearman has written five short story collections, and between them they have won the World Fantasy Award, the Shirley Jackson Award, the Edge Hill Readers Prize, and three British Fantasy Awards. His background is in the theatre, and he is resident dramatist at the Northcott Theatre in Exeter and regular writer for Alan Ayckbourn at the Stephen Joseph Theatre in Scarborough; his plays have won the Sunday Times Playwriting Award, the Sophie Winter Memorial Trust Award, and the Guinness Award in association with the Royal National Theatre. He regularly writes plays and short stories for BBC Radio, and he has won two Sony Awards for his interactive radio series, “The Chain Gang.” But he’s probably best known for reintroducing the Daleks to the BAFTA winning first season of the revived DOCTOR WHO.
I wrote an entire novel on dear old Krampus … Hard not to love a figure that revels in putting naughty children in a sack and beating the snot out of them. In addition to his child minding, I enjoy his long history that extends far back to pagan times, long before Saint Nicholas came along and stole the holiday season from him. I love the idea of Krampus returning to reclaim Christmas, which is probably why it’s the premise of my novel.