Sam Guay is a freelance illustrator working and wandering in New England. Dreams, folktales, and bits of her woodland haunts weave themselves into the visuals and narratives of her watercolors. Between paintings she can be found fortune-telling, voraciously reading, and having tea parties with her corvid kin, the local flora, and her beloved feline companion. You can find her work at samguay.com.
Steve Schlozman, a psychiatry professor (known as “the zombie doc” for his ZOMBIE AUTOPSIES: SECRET NOTEBOOKS FROM THE APOCALYPSE), did an experiment to try to understand exactly why people enjoy horror, neurologically. He showed them a picture of a puppy. Then he showed them the image with cat’s eyes Photoshopped onto the puppy. t changed everything.
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For two seasons, Carnivàle followed a Depression-era carnival across a bleak American landscape, but was really about the eternal battle between light and darkness, as represented respectively by Ben, a farm boy with healing powers (played by Nick Stahl) and a preacher, Brother Justin (Clancy Brown), who is accessing far more sinister abilities. As unusual as Carnivàle was, the story behind the story was equally rare in Hollywood: the series was created and produced by a first-timer in his forties.
I’m interested in capturing a character’s internal struggle. Over the course of the years I found it feels more appropriate to let my characters free from regular human bodies. I don’t necessarily try to make their bodies look scary. The design is a result of my attempt to capture their emotions.