It’d been a warm, sunny spring afternoon. The grass in the cemetery was green, the roses and lavender in the wreaths fragrant. Iqbal’s funeral had been a quiet affair, all things considered. Our circle was getting too old for the type of soap opera drama that had marked our younger years. We’d lived for enough decades that my friends and I had settled into some kind of rhythm, had dared to allow some of our sharp edges to be burnished smooth. So by the time of Iqbal’s funeral, Grey had long since given up staging drunken screaming matches in parking lots with Jésus.

Such a beautiful boy, Cornelius Clay. Pity no woman’ll marry him. And to think it ain even his fault, sweet baby, born into money and beauty both, like the good Lord couldn’t part with his blessings fast enough. Lord, this boy. Skin so bright he looks anointed, hair straight as an Indian’s and black as molasses. There’s four generations of freedmen in that skin and hair, and he can name every single one of them. He got a body so fine, even the angels cryin out: silver screen silhouette in a tailored suit and two-toned wingtips, hat brim so crisp its shadow slices butter.

The horde is attracted to bright colours, so when you put together your bug-out bag, you pack the drab outfits you’d sworn never to wear again once you’d finally, breathlessly, emerged as your true, radiant self. You pack a heavy hunting knife, because what you carry looks valuable. You’re glad that your arms are gym-strong and intimidating, because the idea of hurting someone, even in self-defense, makes you want to vomit. You leave behind your old name. You try not to wonder if you’re the only one left who remembers it. You don’t know how you’d feel if that were true.

The mansion is a study in architecture at war with itself. It’s not just the windows that don’t match and the turrets that don’t overlook anything and the roof that sits flat here while looming at impossible angles there. Nor is it just the exterior walls that, seen from one angle, seem rotted and decrepit and about to collapse, and seen from another, gleam like jewels. Nor is it the gnarled skin of the columns that support the overhang at the front entrance, or the glistening scarlet door that seems poised to open until you see that it’s not a real door at all.

Taina crawls underneath the shack to unearth her wooden cigar box. She opens it and places the items in front of her: a piece of leftover mundillo lace from an unfinished handkerchief, an ivory ribbon she stole from Don Victor’s store, and the rosary beads given to her by Abuela. Everything is right where she left it. She carefully places the items back and covers the box with dirt. “Shhh,” Taina whispers, hugging the dog Choco. Choco licks the side of her cheek and nuzzles his cold wet nose on the crevice of her bony elbow.