Horror & Dark Fantasy

Samhain Horror

The H Word

The H Word: Misunderstood Monsters

by Janice Gable Bashman

Misunderstood monsters—mindless evil or innocent creatures thrust into circumstances beyond their control? If we look at monster history, there are many monsters who harm, damage, or kill because they blood-lust and enjoy it, and because it feeds a hunger that can only be satisfied by the evil they perpetrate on others. But what about those monsters who, in their search for something else—whether it is love, acceptance, or fulfillment—hurt others in the process?

The H Word

In Jul. 2014 (Issue 22)

The H Word: Nightmares in the Big City

by Brandon Massey

There is safety in numbers, goes the popular adage. While that may be true when considering the likelihood of a car plowing into a group of cyclists, when it comes to life in the big city, living among the masses isn’t going to save you from the Bogeyman. In fact, the masses might have you running for your life.

The H Word

In Jun. 2014 (Issue 21)

The H Word: That Oldest Fear

by Don D’Auria

We’re faced with an eternal conflict. We don’t want to die, but deep down we know it’s inevitable. We also know our loved ones will die, but we don’t want them to come back after they do. Horror helps us come to terms with that, to finally accept it. Through horror we see that, as Lugosi told us in DRACULA, “There are far worse things awaiting man than death.”

The H Word

In May. 2014 (Issue 20)

The H Word: Hardboiled Horror

by Nicholas Kaufmann

It’s likely you already know the scenarios by heart. Anyone who’s even remotely familiar with James M. Cain, Dashiell Hammett, or Raymond Chandler would. A cynical, world-weary private eye is visited by a mysterious client (female, more often than not) and winds up taking a case that finally shakes up his life enough to make him feel something—only to inevitably remind him why he always felt safer not feeling anything at all.

The H Word

In Apr. 2014 (Issue 19)

The H Word: Being in the Presence of the Dead

by Joe McKinney

When it comes to people, most of us know the dead only as waxy, foreign looking shells on display in coffins at the occasional funeral. Our world today has largely divorced us from experiencing the many strange and conflicting feelings that come with being in the presence of the dead. We don’t know that horror as much anymore, no matter how many times we see it on TV, and so I wanted to talk about that today.

The H Word

In Mar. 2014 (Issue 18)

The H Word: H for Honesty

by Ramsey Campbell

Whenever anyone who creates horror fiction says they don’t, it simply confirms me in my commitment to the field. No doubt they have their reasons, but I have mine, which is to support the kind of fiction I’ve loved pretty well ever since I can remember.

The H Word

In Feb. 2014 (Issue 17)

The H Word: Horror Needs New Monsters

by Kate Jonez

For generations, the monsters populating horror fiction have, with very few exceptions, belonged to the scary trinity: vampires, werewolves, and zombies. For every aswang, a dozen Draculaesque vampires sip bodily fluids. For every huli jing, a score of humans transform into their wolfish selves under a full moon. For every draugr, a horde of reanimated corpses out of central casting shambles by looking for brains.

The H Word

In Jan. 2014 (Issue 16)

The H Word: Babes in the Wilderness

by Laird Barron

Some years ago I left Alaska, land of my birth. Since then I’ve dwelt in the cities and farmland of the Pacific Northwest, and deep in the mountains of western Montana. At the moment, the trail has led a long and winding way to upstate New York, about as far as one can migrate east and still dwell within the continental U.S.

The H Word

In Dec. 2013 (Issue 15)

The H Word: And Then the Zombie Killed the Vampire

by Nancy Kilpatrick

Horror fans may have hammered the final stake! The general consensus is: zombies are in, vampires out. Whether or not that is true, zombies have definitely surged to the fore while vampires have seemingly faded into the mist. Which begs the question—Why?

The H Word

In Nov. 2013 (Issue 14)

The H Word: Reveling in the Literary

by F. Brett Cox

The Revel is all, or almost all; the weight of the story, and of the reader’s experience of the story, is given over to the physical materials of the catastrophe: the bump in the night, the splat on the wall, the slaughter of the innocents, the razing of the town.

The H Word

In Oct. 2013 (Issue 13)