Adam-Troy Castro takes a deep dive into new horror from Blumhouse Productions: The Lie and Black Box. Are they worth streaming? Find out!

This month Adam-Troy Castro dives into The Best of Michael Marshall Smith, a retrospective of the author’s short fiction. Should you read it? Find out!

This month, Terence Taylor reviews new work from P. Djèlí Clark (Ring Shout) and Sam J. Miller (The Blade Between).

Adam-Troy Castro reviews The Living Dead, a zombie novel written by George A. Romero and Daniel Kraus, and a new short story collection (Why Visit America) by Matthew Baker.

This month Terence Taylor talks about bad women in horror in his reviews of Stephen Graham Jones’s new novel The Only Good Indians and a reprint of Ramsey Campbell’s classic The Wise Friend.

This month, Terence Taylor reviews two books that wrestle with the past: The Sun Down Motel, by Simone St. James, and Remembered, by Yvonne Battle-Felton.

This month, reviewer Adam-Troy Castro takes a look at the new novella “In the Tall Grass”—written by father and son horror giants Stephen King and Joe Hill. But first, he watched the Netflix film adaptation. So how do the two compare to each other?

This month, Terence Taylor talks about the role of setting as he reviews the novella The Monster of Elendhaven, by Jennifer Giesbrecht, and the novel Genocide on the Infinite Express, by Kevin Sweeney.

This month, Adam-Troy Castro reviews the film adaptation of the classic children’s horror anthology: Scary Stories to Tell in the Dark. Does he think it’s fit fair for adult horror fans? You’ll have to read the column to find out!

Terence Taylor visits some lonely places when he reviews the novels Hellish Beasts, by Brian Carmody, and Tinfoil Butterfly, by Rachel Eve Moulton.