This month Adam-Troy Castro reviews The Cabin at the End of the World by Paul Tremblay.

This month, Terence Taylor has some new horror fiction you should know: rock’n’roll-themed scares from Lee Thomas (Distortion) and Grady Hendrix (We Sold Our Souls).

This year Mary Shelley’s Frankenstein celebrates its 200th birthday. To celebrate, Terence Taylor looks at a brand-new edition of the novel (illustrated by David Plunkert), as well as Victor LaValle’s new take on the tale: the graphic novel Victor LaValle’s Destroyer.

Adam-Troy Castro reviews new short story collections from masters of horror David J. Schow and Jack Ketchum.

This month, Terence Taylor goes looking for fresh stand-alone fiction and finds He Digs a Hole, by Danger Slater, and Frankenstein in Baghdad, by Ahmed Saadawi.

This month, Adam-Troy Castro reviews the enormously polarizing film, Mother!.

This month, Terence Taylor reviews two novels that explore the meaning of family: Ruthanna Emrys’ Winter Tide and Steven Barnes’ Twelve Days.

This month, Adam-Troy Castro reviews Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction, a new work of nonfiction by Grady Hendrix.

This month, Terence Taylor reads both Charlie Stross’ new novel,The Delirium Brief , and the new anthology Sycorax’s Daughters.

Every once in a while in this life, and more so since the advent of social media, we find ourselves asked to name our favorites: our favorite color, our favorite food, our favorite book, our favorite movie. The answers we produce are almost always fictions, or rote repetitions, because our likes are malleable. But your friendly columnist does have a permanent answer for favorite horror story, an outing by a writer who earns several places on his life list of favorite stories, period: “The Renegade,” by Shirley Jackson.