This month, reviewer Adam-Troy Castro takes a good look at the way weirdness works in M.R. Carey’s new novel Someone Like Me.

This month Terence Taylor reviews work that delves into the human condition: a new edition of Thomas Ligotti’s nonfiction classic, The Conspiracy against the Human Race, and Pornsak Pichetshote’s graphic novel, Infidel .

This month Adam-Troy Castro reviews The Cabin at the End of the World by Paul Tremblay.

This month, Terence Taylor has some new horror fiction you should know: rock’n’roll-themed scares from Lee Thomas (Distortion) and Grady Hendrix (We Sold Our Souls).

This year Mary Shelley’s Frankenstein celebrates its 200th birthday. To celebrate, Terence Taylor looks at a brand-new edition of the novel (illustrated by David Plunkert), as well as Victor LaValle’s new take on the tale: the graphic novel Victor LaValle’s Destroyer.

Adam-Troy Castro reviews new short story collections from masters of horror David J. Schow and Jack Ketchum.

This month, Terence Taylor goes looking for fresh stand-alone fiction and finds He Digs a Hole, by Danger Slater, and Frankenstein in Baghdad, by Ahmed Saadawi.

This month, Adam-Troy Castro reviews the enormously polarizing film, Mother!.

This month, Terence Taylor reviews two novels that explore the meaning of family: Ruthanna Emrys’ Winter Tide and Steven Barnes’ Twelve Days.

This month, Adam-Troy Castro reviews Paperbacks from Hell: The Twisted History of ’70s and ’80s Horror Fiction, a new work of nonfiction by Grady Hendrix.