Since her first novel Rosemary and Rue was published in 2009, Seanan McGuire has written scores of short stories, non-fiction essays, songs, and nearly two-dozen novels . . . and that’s just under her own name. As Mira Grant, she has written the popular Newsflesh and Parasitology series, which include more medical horror than the works attributed to Seanan McGuire. A fan of both science and folklore, Seanan’s books include ten volumes in the October Daye urban fantasy series, the Incryptid series (which explores cryptozoology), the Wayward Children series from Tor, and the Velveteen Vs. superhero stories.

Pop culture journalist Theresa DeLucci joins Nightmare’s very own Christie Yant, as well as Angela Watercutter, writer and Wired editor, to discuss the TV series Penny Dreadful.

There’s a famous quote about Jack Ketchum that goes like this: “Who’s the scariest guy in America? Probably Jack Ketchum.” The author of that quote? Just some guy named Stephen King. Ketchum—who, in person, is amiable and personable enough to have once been a successful literary agent (he managed the career of literary icon Henry Miller, among others)—has always walked a unique line between mass market author and cult object. His first novel, Off Season, was released by Ballantine Books in 1980; in his introduction to a later reprint, Douglas Winter called the tale of a group of cave-dwelling and cannibalistic savages who prey on vacationing New Yorkers “raw and risky.”

Author Grady Hendrix and author-slash-witch historian Katherine Howe join Theresa DeLucci, television and horror fiction reviewer, to discuss the role of witches in the horror genre.

Readers of horror fiction are frequently unfamiliar with the world of horror role-playing games, and yet that world is consistently producing high-quality fiction and beautifully designed books. Among the most popular writers in the horror RPG field is C.A. Suleiman, who has spent nearly two decades working on such immensely successful games as Scarred Lands, Vampire: The Requiem (for which he and Ari Marmell created the acclaimed “city book” City of the Damned: New Orleans), and, most recently, Mummy: The Curse.

My opinions of The Exorcist changed as I got older. It was one of those movies where I was told you’re not allowed to see it as a kid because it will horrify you so much that you’ll never sleep again, and so I waited like a good little teenager until I was seventeen to see it, and I watched the director’s cut that came out in like 2003 or so. I was just like, “Oh, this isn’t that bad. This is totally fine. I don’t get what the big deal is.” And now, I am no longer seventeen and invincible, and it’s much more upsetting.