Most people never expected me to go back to Pinhead in literary form; the expectation was that I would go back to him in a movie. That never felt right to me. Pinhead is a rather literary figure. He speaks with a Shakespearean cadence, so I wanted to make sure that was in the performance, if you will, of his farewell, and I couldn’t do that on a movie screen.
Kc Wayland is the writer and director of the zombie horror podcast We’re Alive, a full-cast audio drama that has racked up over 32,000,000 downloads. David Cummings is the host and producer of The NoSleep Podcast, an award-winning anthology series of original horror stories. He has also appeared on the Pseudopod horror podcast and The […]
Lucy Snyder is one of those rare genre-hopping writers who are equally at home in horror, science fiction, poetry, or nonfiction. Throughout her career, she has (almost gleefully) defied clichés and reveled in contradiction: She was born and raised in what she calls the “cactus-and-cowboys” area of Texas, but her work is often urban in setting and tone; she has published collections of both erotica (ORCHID CAROUSELS) and humorous essays about computers (INSTALLING LINUX ON A DEAD BADGER).
William F. Nolan may be best known to readers as the co-author (with George Clayton Johnson) of the science fiction classic Logan’s Run, but Nolan is also a prolific mystery novelist, biographer, screenwriter, and poet whose horror work just earned him the 2015 World Horror Convention’s Grand Master Award. In addition to dozens of short stories, Nolan’s horror credits also include screenplays and teleplays for such films as Trilogy of Terror and Burnt Offerings. At eighty-seven, Nolan is still active and excited about the future, and we sat down to talk at the annual Vintage Paperback Show in Glendale, California, which he’d driven down from Oregon to attend.
In 1988, a college student named Richard Chizmar decided to start a horror magazine. Now, more than a quarter-of-a-century later, that magazine — Cemetery Dance — has become one of the horror genre’s longest-running print magazines, and Chizmar has become a respected publisher, editor, author, and screenwriter. Cemetery Dance Publications recently published its 300th book, and Chizmar’s Hollywood work (with co-writer Johnathon Schaech) includes an adaptation of Bentley Little’s “The Washingtonians” for Showtime’s Masters of Horror series.
There’s a kind of magic to short stories. I love them, I really, genuinely love them. They’re these beautiful, compact worlds that you can explode without consequences. You can just do things in short stories, you can make anything happen and you only have to convince the reader that it’s real for about thirty pages. That’s tremendously liberating.
My books do have a sort of romantic community at the end — people coming together. But on a more basic level, I always see them as being about power, in the same way that Harry Potter books are pitched to a population of young people who really have no power. Superheroes are also stories about power. My books are always about someone obtaining a power to replace the previous sort of power that they held.
David Cronenberg is a Canadian filmmaker whose career has spanned more than four decades. Cronenberg’s many films include STEREO, CRIMES OF THE FUTURE, FAST COMPANY, THE BROOD, THE DEAD ZONE, THE FLY, NAKED LUNCH, M. BUTTERFLY, CRASH, A HISTORY OF VIOLENCE, A DANGEROUS METHOD, and COSMOPOLIS. His most recent film is MAPS TO THE STARS. In 2006 he was awarded the Cannes Film Festival’s lifetime achievement award, the Carrosse d’Or. His debut novel, CONSUMED, was published by Scribner in 2014.
Robert Shearman has written five short story collections, and between them they have won the World Fantasy Award, the Shirley Jackson Award, the Edge Hill Readers Prize, and three British Fantasy Awards. His background is in the theatre, and he is resident dramatist at the Northcott Theatre in Exeter and regular writer for Alan Ayckbourn at the Stephen Joseph Theatre in Scarborough; his plays have won the Sunday Times Playwriting Award, the Sophie Winter Memorial Trust Award, and the Guinness Award in association with the Royal National Theatre. He regularly writes plays and short stories for BBC Radio, and he has won two Sony Awards for his interactive radio series, “The Chain Gang.” But he’s probably best known for reintroducing the Daleks to the BAFTA winning first season of the revived DOCTOR WHO.
While most horror authors are content to create chills, a handful are more interested in studying exactly how those chills are manufactured. Leslie Klinger is one of the genre’s most significant nonfiction experts. Although he began his nonfiction career annotating Sir Arthur Conan Doyle’s Sherlock Holmes tales, Les has since become a major figure in the art of nonfiction horror, providing annotations for Dracula, Neil Gaiman’s Sandman, and (released in October) twenty-two stories by H. P. Lovecraft.