Vitaly Alexius was born in 1984, in Novokuznetsk, Siberian Russia. On April 11, 1997, fate threw him an unexpected twist by means of aerial transportation; he relocated approximately 5,555 miles to Toronto, Canada. Since 2000, he’s been tutoring students in drawing and painting, and in 2002 he learned Photoshop and has been using it ever since. He currently works as an Art Director, creating weekly episodes for the “Romantically Apocalyptic” graphic novel and traveling way too much.
Dariusz Zawadzki was born in Poland in 1958. Since childhood, he has built surreal worlds in his imagination. At eleven he started painting and has never looked back. Growing up, he wanted to attend an artistic secondary school, but was told his eyesight was too poor. Refusing to let others stymie his artistic development, Dariusz taught himself the ins and outs of painting, and developed his own techniques.
Robert Emerson is a self-taught artist. Born in 1959, he worked in the traditional mediums of oils, water colors, pastels, pencils, pens and inks, until a broken blood vein in his brain left him without the use of his right arm. Having lost the precision of his dominant hand, he discovered photo compositing as an alternate means of artistic expression. Through trial and error, reading, and watching countless Youtube “how to” videos, Robert slowly began to learn the art of photo manipulation.
Comics are what first drew me to art. They were that first peek in to what was possible. When I was younger I was really into superhero comics, but that’s changed a bit over the years. Though I’m still and always will be a fan of work like Batman and Hellboy, I’ve been flipping through stranger stuff lately. A lot of work by French and Italian comic artists from the ’80s, for example. Doesn’t matter if the dialog is in English or not; I can look at those pages for days on end.
Tran Nguyen is a Georgia-based gallery artist and freelance illustrator. Born in Vietnam and raised in the States, she is fascinated with creating visuals that can be used as a psycho-therapeutic support vehicle, exploring the mind’s landscape. Her paintings are created with a soft, delicate quality using colored pencil and acrylic on paper. Nguyen has worked for clients such as Playboy, Tor, McDonald’s, Chateau St. Michelle Winery, and has showcased with galleries in California, New York, Spain, and Italy.
I wrote an entire novel on dear old Krampus … Hard not to love a figure that revels in putting naughty children in a sack and beating the snot out of them. In addition to his child minding, I enjoy his long history that extends far back to pagan times, long before Saint Nicholas came along and stole the holiday season from him. I love the idea of Krampus returning to reclaim Christmas, which is probably why it’s the premise of my novel.
Jeff Simpson is a concept artist and illustrator living in Montreal Canada, currently working for Ubisoft Montreal. His previous clients include Eidos Montreal (Deus Ex Next Gen), Ubisoft Montreal (Assassins Creed: Revelations, Assassins Creed: 3, Assassins Creed: Unity), Universal Pictures (Snow White and the Huntsman), Lionsgate (The Last Witch Hunter), MovingPictureCompany (various films to be announced), The Mill (VFX concept for several advertisements), Wizards of the Coast (Magic The Gathering).
I love artists. They are the best kind of people. I highly recommend you take any opportunity you can to find yourself in a room full of them (preferably when they happen to have sketchbooks in hand). When I was asked if I could find a few amazing women to do the artwork for the Women Destroy Horror! issue of NIGHTMARE, I happened to be attending the Illustration Masters Class. I looked up from my laptop, glanced around the studio I was working in, and immediately emailed back “Why yes, I think I can.”
Sam Guay is a freelance illustrator working and wandering in New England. Dreams, folktales, and bits of her woodland haunts weave themselves into the visuals and narratives of her watercolors. Between paintings she can be found fortune-telling, voraciously reading, and having tea parties with her corvid kin, the local flora, and her beloved feline companion. You can find her work at samguay.com.
I’m interested in capturing a character’s internal struggle. Over the course of the years I found it feels more appropriate to let my characters free from regular human bodies. I don’t necessarily try to make their bodies look scary. The design is a result of my attempt to capture their emotions.