She is a girl, coming to a house. Not just any house: a large, sprawling mansion, built up from the remains of a ruined abbey, or a shattered castle. One that stands on the edge of a cliff, overlooking the seas, or lost in fog-swept moors, or deep within a rugged forest. A house of secrets, a house of ghosts and haunts. She is alone, or nearly alone, or thinks she is alone. This is not quite as strange as it might sound. In her world, parents die young. Most of her remaining relatives are indifferent, or poor.

It’s estimated that in 2011 there were 2,881 semi or unoccupied housing developments in Ireland. There was a time when we put our faith in euros, shares and the sanctity of brick. A time when we bought our books from stores as big as barns and ate strawberries from Andalusia, when only a generation before, they’d been grown on farms up the road. The wide avenues of Boomtown were named for trees when there was grand optimism for growth. Now nothing booms in Boomtown. It’s bust and broken.

Picture me on an island supply boat, one of the old Clyde Puffers seeking to deliver me to my new post. This was 1947, just a couple of years after the war, and I was a young doctor relatively new to General Practice. Picture also a choppy sea, a deck that rose and fell with every wave, and a cross-current fighting hard to turn us away from the isle. Back on the mainland I’d been advised that a hearty breakfast would be the best preventative for seasickness and now, having loaded up with one, I was doing my best to hang onto it.

Be sure to check out the editorial for a run-down of this month’s nightmarish content, plus news and updates.

This month, Adam-Troy Castro reviews Clark Ashton Smith: The Emperor of Dreams, a new documentary about a horror legend.